Polychromes of Zofia Baudouin de Courtenay in churches of Gdańsk and Sopot
The artistic output of Zofia Baudouin de Courtenay (1889–1967), despite several attempts at fragmentary studies, still remains largely unknown. The article presents post-war works of the artist executed in the churches of Gdańsk (St Elisabeth’s, St Jacob’s) and Sopot (St George’s) in the context of...
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| Format: | Article |
| Language: | English |
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Wydawnictwo Uniwersytetu Rzeszowskiego
2016-06-01
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| Series: | Sacrum et Decorum |
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| Online Access: | https://sacrumetdecorum.pl/polychromes-of-zofia-baudouin-de-courtenay-in-churches-of-gdansk-and-sopot/?lang=en |
| Summary: | The artistic output of Zofia Baudouin de Courtenay (1889–1967), despite several attempts at fragmentary studies, still remains largely unknown. The article presents post-war works of the artist executed in the churches of Gdańsk (St Elisabeth’s, St Jacob’s) and Sopot (St George’s) in the context of the attempts at reviving sacral monumental art. These works are neo-Byzantine in character and were produced outside the official state patronage and outside the official range of art critics. By using the modernized formula for presenting sacral art, they display the dialogue between modernity and tradition. |
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| ISSN: | 1689-5010 2720-524X |