The Psychology of Music, Edited by Diana Deutsch, 3rd Edition: Review of Chapters 1 to 5
This paper provides a review of the first five chapters of the third edition of the book The Psychology of Music edited by Diana Deutsch, namely: 1) “The Perception of Musical Tones” by Andrew J. Oxenham; 2) “Musical Timbre Perception” by Stephen McAdams; 3) “Perception of Singing” by Johan Sundberg...
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Format: | Article |
Language: | Portuguese |
Published: |
Associação Nacional de Pesquisa e Pós-Graduação em Música
2017-04-01
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Series: | Opus |
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Online Access: | http://www.anppom.com.br/revista/index.php/opus/article/view/435 |
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author | Ricieri Carlini Zorzal |
author_facet | Ricieri Carlini Zorzal |
author_sort | Ricieri Carlini Zorzal |
collection | DOAJ |
description | This paper provides a review of the first five chapters of the third edition of the book The Psychology of Music edited by Diana Deutsch, namely: 1) “The Perception of Musical Tones” by Andrew J. Oxenham; 2) “Musical Timbre Perception” by Stephen McAdams; 3) “Perception of Singing” by Johan Sundberg; 4) “Intervals and Scales” by William F. Thompson; and 5) “Absolute Pitch” by Diana Deutsch. |
first_indexed | 2024-12-20T06:59:14Z |
format | Article |
id | doaj.art-8d9fb295556f482f9c2b7c5aba3ab423 |
institution | Directory Open Access Journal |
issn | 0103-7412 1517-7017 |
language | Portuguese |
last_indexed | 2024-12-20T06:59:14Z |
publishDate | 2017-04-01 |
publisher | Associação Nacional de Pesquisa e Pós-Graduação em Música |
record_format | Article |
series | Opus |
spelling | doaj.art-8d9fb295556f482f9c2b7c5aba3ab4232022-12-21T19:49:14ZporAssociação Nacional de Pesquisa e Pós-Graduação em MúsicaOpus0103-74121517-70172017-04-0123130031310.20504/opus2017a2313367The Psychology of Music, Edited by Diana Deutsch, 3rd Edition: Review of Chapters 1 to 5Ricieri Carlini Zorzal0Universidade Federal do MaranhãoThis paper provides a review of the first five chapters of the third edition of the book The Psychology of Music edited by Diana Deutsch, namely: 1) “The Perception of Musical Tones” by Andrew J. Oxenham; 2) “Musical Timbre Perception” by Stephen McAdams; 3) “Perception of Singing” by Johan Sundberg; 4) “Intervals and Scales” by William F. Thompson; and 5) “Absolute Pitch” by Diana Deutsch.http://www.anppom.com.br/revista/index.php/opus/article/view/435Percepção musical. Timbre. Produção da voz. Fisiologia do ouvido interno. Ouvido absoluto. |
spellingShingle | Ricieri Carlini Zorzal The Psychology of Music, Edited by Diana Deutsch, 3rd Edition: Review of Chapters 1 to 5 Opus Percepção musical. Timbre. Produção da voz. Fisiologia do ouvido interno. Ouvido absoluto. |
title | The Psychology of Music, Edited by Diana Deutsch, 3rd Edition: Review of Chapters 1 to 5 |
title_full | The Psychology of Music, Edited by Diana Deutsch, 3rd Edition: Review of Chapters 1 to 5 |
title_fullStr | The Psychology of Music, Edited by Diana Deutsch, 3rd Edition: Review of Chapters 1 to 5 |
title_full_unstemmed | The Psychology of Music, Edited by Diana Deutsch, 3rd Edition: Review of Chapters 1 to 5 |
title_short | The Psychology of Music, Edited by Diana Deutsch, 3rd Edition: Review of Chapters 1 to 5 |
title_sort | psychology of music edited by diana deutsch 3rd edition review of chapters 1 to 5 |
topic | Percepção musical. Timbre. Produção da voz. Fisiologia do ouvido interno. Ouvido absoluto. |
url | http://www.anppom.com.br/revista/index.php/opus/article/view/435 |
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