Il duello con sé stessi: <em>Il cavaliere doppio</em> di Théophile Gautier

In a story entitled Le chevalier double and published in 1840, Théophile Gautier stages the duel between a medieval knight and his double, who represents a part of himself, a diabolical part whose origin lies in a mysterious adultery. At the turn of the fairy tale and the fantastic, this story is co...

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Main Author: Paolo Tortonese
Format: Article
Language:English
Published: UNICApress 2022-11-01
Series:Between
Subjects:
Online Access:https://ojs.unica.it/index.php/between/article/view/5217
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author Paolo Tortonese
author_facet Paolo Tortonese
author_sort Paolo Tortonese
collection DOAJ
description In a story entitled Le chevalier double and published in 1840, Théophile Gautier stages the duel between a medieval knight and his double, who represents a part of himself, a diabolical part whose origin lies in a mysterious adultery. At the turn of the fairy tale and the fantastic, this story is contemporary of Poe’s William Wilson, and echoes some earlier works, by E.T.A. Hoffmann and Washington Irving in particular, but also draws on a more distant tradition, which dates back to seventeenth-century Spain. Poe and Gautier gave different results and meanings to the duels of their characters: this paper proposes a reflection on this difference, and more generally on the theme of the duel with the double.
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spelling doaj.art-8dd1a517f0bd439e91e094c8f074bac72023-09-02T12:12:27ZengUNICApressBetween2039-65972022-11-01122410.13125/2039-6597/5217Il duello con sé stessi: <em>Il cavaliere doppio</em> di Théophile GautierPaolo TortoneseIn a story entitled Le chevalier double and published in 1840, Théophile Gautier stages the duel between a medieval knight and his double, who represents a part of himself, a diabolical part whose origin lies in a mysterious adultery. At the turn of the fairy tale and the fantastic, this story is contemporary of Poe’s William Wilson, and echoes some earlier works, by E.T.A. Hoffmann and Washington Irving in particular, but also draws on a more distant tradition, which dates back to seventeenth-century Spain. Poe and Gautier gave different results and meanings to the duels of their characters: this paper proposes a reflection on this difference, and more generally on the theme of the duel with the double. https://ojs.unica.it/index.php/between/article/view/5217Théophile GautierEdgar Allan PoeGhostDoubleDoppelgänger
spellingShingle Paolo Tortonese
Il duello con sé stessi: <em>Il cavaliere doppio</em> di Théophile Gautier
Between
Théophile Gautier
Edgar Allan Poe
Ghost
Double
Doppelgänger
title Il duello con sé stessi: <em>Il cavaliere doppio</em> di Théophile Gautier
title_full Il duello con sé stessi: <em>Il cavaliere doppio</em> di Théophile Gautier
title_fullStr Il duello con sé stessi: <em>Il cavaliere doppio</em> di Théophile Gautier
title_full_unstemmed Il duello con sé stessi: <em>Il cavaliere doppio</em> di Théophile Gautier
title_short Il duello con sé stessi: <em>Il cavaliere doppio</em> di Théophile Gautier
title_sort il duello con se stessi em il cavaliere doppio em di theophile gautier
topic Théophile Gautier
Edgar Allan Poe
Ghost
Double
Doppelgänger
url https://ojs.unica.it/index.php/between/article/view/5217
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