Spectatorship, Dead Bodies, and Medical Discourses in <i>Celestina</i>

This article examines the intersection of spectatorship, literary imagination, and medical discourse as they converge in Celestina.  The representation of dead bodies in this text projects Rojas’ work into early modernity as a literary forerunner of the anatomical discourse that scrutinizes the inte...

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Main Author: Samuel Sánchez y Sánchez
Format: Article
Language:English
Published: Universidad de Valencia, Departamento de Filología Española 2023-12-01
Series:Celestinesca
Subjects:
Online Access:https://ojs.uv.es/index.php/celestinesca/article/view/25941
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author Samuel Sánchez y Sánchez
author_facet Samuel Sánchez y Sánchez
author_sort Samuel Sánchez y Sánchez
collection DOAJ
description This article examines the intersection of spectatorship, literary imagination, and medical discourse as they converge in Celestina.  The representation of dead bodies in this text projects Rojas’ work into early modernity as a literary forerunner of the anatomical discourse that scrutinizes the interior of the body and which would not emerge in the Iberian Peninsula until the 1540s. Drawing on Visual Studies, Body Studies, and Literary Studies, the present essay interrogates the notion of the gaze and the representation of cadavers in Celestina as a transgressive narrative that in 1499 tests the boundaries between real and metaphorical anatomies. From this perspective, Rojas’ literary imagination vis à vis the shift from a medieval to a pre-modern medical gaze inform a post-medieval understanding of the concept of the dead body at the dawn of modernity in Iberia.
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spelling doaj.art-8de1de8c70cb4d1aa7544c904043e8152024-02-03T12:16:16ZengUniversidad de Valencia, Departamento de Filología EspañolaCelestinesca0147-30852695-71832023-12-01470759910.7203/Celestinesca.47.2594119640Spectatorship, Dead Bodies, and Medical Discourses in <i>Celestina</i>Samuel Sánchez y Sánchez0<p>Davidson College</p>This article examines the intersection of spectatorship, literary imagination, and medical discourse as they converge in Celestina.  The representation of dead bodies in this text projects Rojas’ work into early modernity as a literary forerunner of the anatomical discourse that scrutinizes the interior of the body and which would not emerge in the Iberian Peninsula until the 1540s. Drawing on Visual Studies, Body Studies, and Literary Studies, the present essay interrogates the notion of the gaze and the representation of cadavers in Celestina as a transgressive narrative that in 1499 tests the boundaries between real and metaphorical anatomies. From this perspective, Rojas’ literary imagination vis à vis the shift from a medieval to a pre-modern medical gaze inform a post-medieval understanding of the concept of the dead body at the dawn of modernity in Iberia.https://ojs.uv.es/index.php/celestinesca/article/view/25941cadaversgazemedicinemodernityspectatorship
spellingShingle Samuel Sánchez y Sánchez
Spectatorship, Dead Bodies, and Medical Discourses in <i>Celestina</i>
Celestinesca
cadavers
gaze
medicine
modernity
spectatorship
title Spectatorship, Dead Bodies, and Medical Discourses in <i>Celestina</i>
title_full Spectatorship, Dead Bodies, and Medical Discourses in <i>Celestina</i>
title_fullStr Spectatorship, Dead Bodies, and Medical Discourses in <i>Celestina</i>
title_full_unstemmed Spectatorship, Dead Bodies, and Medical Discourses in <i>Celestina</i>
title_short Spectatorship, Dead Bodies, and Medical Discourses in <i>Celestina</i>
title_sort spectatorship dead bodies and medical discourses in i celestina i
topic cadavers
gaze
medicine
modernity
spectatorship
url https://ojs.uv.es/index.php/celestinesca/article/view/25941
work_keys_str_mv AT samuelsanchezysanchez spectatorshipdeadbodiesandmedicaldiscoursesinicelestinai