La portée révolutionnaire du discours afro-caribéen ou les défis d’une écriture mineure

Brathwaite (Kamau), Harris (Wilson), Walcott (Dereck) This article focuses on Afro-Caribbean poetry to analyze the revolutionary impact of language and its memorial transmission. Following Antonio Gramsci’s and Frantz Fanon’s theories, this article also examines how minor writing is linked with hist...

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Main Author: Françoise Clary
Format: Article
Language:English
Published: Université du Sud Toulon-Var 2019-12-01
Series:Babel: Littératures Plurielles
Subjects:
Online Access:http://journals.openedition.org/babel/8449
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author Françoise Clary
author_facet Françoise Clary
author_sort Françoise Clary
collection DOAJ
description Brathwaite (Kamau), Harris (Wilson), Walcott (Dereck) This article focuses on Afro-Caribbean poetry to analyze the revolutionary impact of language and its memorial transmission. Following Antonio Gramsci’s and Frantz Fanon’s theories, this article also examines how minor writing is linked with historic temporality. Based on Fanon’s theory that liberating peoples are the source of instabilities generating cultural changes, this article purports to show how the revolutionary expression of the poetic discourses of Kamau Brathwaite, Wilson Harris, Cyril Dabideen and Dereck Wallcott, tends to transcend the Western cultural hegemony and faces the oriental vision of both the African and Afro-Caribbean spaces. The original myth, with its memorial nature, bears the challenges of a minor writing which imposes a reading through the lens of subalternity and subordination.
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spelling doaj.art-8e1192bf06614db8a8a35859b1861bc32022-12-22T01:21:11ZengUniversité du Sud Toulon-VarBabel: Littératures Plurielles2743-27422263-47462019-12-014029331410.4000/babel.8449La portée révolutionnaire du discours afro-caribéen ou les défis d’une écriture mineureFrançoise ClaryBrathwaite (Kamau), Harris (Wilson), Walcott (Dereck) This article focuses on Afro-Caribbean poetry to analyze the revolutionary impact of language and its memorial transmission. Following Antonio Gramsci’s and Frantz Fanon’s theories, this article also examines how minor writing is linked with historic temporality. Based on Fanon’s theory that liberating peoples are the source of instabilities generating cultural changes, this article purports to show how the revolutionary expression of the poetic discourses of Kamau Brathwaite, Wilson Harris, Cyril Dabideen and Dereck Wallcott, tends to transcend the Western cultural hegemony and faces the oriental vision of both the African and Afro-Caribbean spaces. The original myth, with its memorial nature, bears the challenges of a minor writing which imposes a reading through the lens of subalternity and subordination.http://journals.openedition.org/babel/8449revolutionary minor expressionAnglo-Afro-Caribbean poetrymyth of the originsmemorial transmissionmarginsubalternity
spellingShingle Françoise Clary
La portée révolutionnaire du discours afro-caribéen ou les défis d’une écriture mineure
Babel: Littératures Plurielles
revolutionary minor expression
Anglo-Afro-Caribbean poetry
myth of the origins
memorial transmission
margin
subalternity
title La portée révolutionnaire du discours afro-caribéen ou les défis d’une écriture mineure
title_full La portée révolutionnaire du discours afro-caribéen ou les défis d’une écriture mineure
title_fullStr La portée révolutionnaire du discours afro-caribéen ou les défis d’une écriture mineure
title_full_unstemmed La portée révolutionnaire du discours afro-caribéen ou les défis d’une écriture mineure
title_short La portée révolutionnaire du discours afro-caribéen ou les défis d’une écriture mineure
title_sort la portee revolutionnaire du discours afro caribeen ou les defis d une ecriture mineure
topic revolutionary minor expression
Anglo-Afro-Caribbean poetry
myth of the origins
memorial transmission
margin
subalternity
url http://journals.openedition.org/babel/8449
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