B.S. Johnson ou l’équilibre de l’écart

This paper proposes to examine the apparent contradiction in B.S. Johnson’s novels between, on the one hand, the defamiliarisation of devices so as to lay bare all fictional effects and underline the distance between the referent and its graphic inscription, and on the other hand, the implementation...

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Main Author: Vanessa Guignery
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2011-12-01
Series:Sillages Critiques
Subjects:
Online Access:http://journals.openedition.org/sillagescritiques/2237
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author Vanessa Guignery
author_facet Vanessa Guignery
author_sort Vanessa Guignery
collection DOAJ
description This paper proposes to examine the apparent contradiction in B.S. Johnson’s novels between, on the one hand, the defamiliarisation of devices so as to lay bare all fictional effects and underline the distance between the referent and its graphic inscription, and on the other hand, the implementation of innovative formal strategies meant to reflect reality as faithfully as possible. This double movement (revealing the distance, reducing the distance) will be analysed in relation to Johnson’s theory based on a poetics of truth which rejects the lies of the novelistic form and places the autobiographical subject at the heart of the work. In the process, we will determine which forms of mimesis and of relationship to the real Johnson manages to establish.
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spelling doaj.art-8e341b2473044ad196b23dd7e045c27d2022-12-21T19:49:32ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022011-12-0112B.S. Johnson ou l’équilibre de l’écartVanessa GuigneryThis paper proposes to examine the apparent contradiction in B.S. Johnson’s novels between, on the one hand, the defamiliarisation of devices so as to lay bare all fictional effects and underline the distance between the referent and its graphic inscription, and on the other hand, the implementation of innovative formal strategies meant to reflect reality as faithfully as possible. This double movement (revealing the distance, reducing the distance) will be analysed in relation to Johnson’s theory based on a poetics of truth which rejects the lies of the novelistic form and places the autobiographical subject at the heart of the work. In the process, we will determine which forms of mimesis and of relationship to the real Johnson manages to establish.http://journals.openedition.org/sillagescritiques/2237B.S. Johnsontruth and fictionautobiographymetafictiongraphic devicesdefamiliarisation
spellingShingle Vanessa Guignery
B.S. Johnson ou l’équilibre de l’écart
Sillages Critiques
B.S. Johnson
truth and fiction
autobiography
metafiction
graphic devices
defamiliarisation
title B.S. Johnson ou l’équilibre de l’écart
title_full B.S. Johnson ou l’équilibre de l’écart
title_fullStr B.S. Johnson ou l’équilibre de l’écart
title_full_unstemmed B.S. Johnson ou l’équilibre de l’écart
title_short B.S. Johnson ou l’équilibre de l’écart
title_sort b s johnson ou l equilibre de l ecart
topic B.S. Johnson
truth and fiction
autobiography
metafiction
graphic devices
defamiliarisation
url http://journals.openedition.org/sillagescritiques/2237
work_keys_str_mv AT vanessaguignery bsjohnsonoulequilibredelecart