“Accidental” Postproduction and Acts of Remembering in Stand By For Tape Back-up, by Ross Sutherland

The essay analyses the film Stand By For Tape Back-up, by Ross Sutherland, which presents a “double gesture of postproduction”. On the one hand, there is Sutherland’s grandfather random, accidental recording on a videotape of several televisual fragments, that become the remainders through which the...

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Bibliographic Details
Main Author: Chiara Grizzaffi
Format: Article
Language:English
Published: University of Bologna 2017-06-01
Series:Cinergie
Subjects:
Online Access:https://cinergie.unibo.it/article/view/7391
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author Chiara Grizzaffi
author_facet Chiara Grizzaffi
author_sort Chiara Grizzaffi
collection DOAJ
description The essay analyses the film Stand By For Tape Back-up, by Ross Sutherland, which presents a “double gesture of postproduction”. On the one hand, there is Sutherland’s grandfather random, accidental recording on a videotape of several televisual fragments, that become the remainders through which the author reconstructs not only the traces of the processes of selection and consumption of his beloved grandfather, but also his own spectatorial experience. On the other hand, there is the performative gesture of Sutherland himself: as I aim to demonstrate, through the repetition, the reuse and the repurposing of those fragments Sutherland obsessively rewrites his history and redefines his own identity. Through the analysis of this case study, the essay challenges well-established categories such as compilation and found footage film and addresses the connection between recycled images, memory and identity.
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spelling doaj.art-8e678e8da95e4397a4d033b92c7800b92022-12-22T03:41:41ZengUniversity of BolognaCinergie2280-94812017-06-01611758110.6092/issn.2280-9481/73916610“Accidental” Postproduction and Acts of Remembering in Stand By For Tape Back-up, by Ross SutherlandChiara Grizzaffi0Libera università di lingue e comunicazione IULMThe essay analyses the film Stand By For Tape Back-up, by Ross Sutherland, which presents a “double gesture of postproduction”. On the one hand, there is Sutherland’s grandfather random, accidental recording on a videotape of several televisual fragments, that become the remainders through which the author reconstructs not only the traces of the processes of selection and consumption of his beloved grandfather, but also his own spectatorial experience. On the other hand, there is the performative gesture of Sutherland himself: as I aim to demonstrate, through the repetition, the reuse and the repurposing of those fragments Sutherland obsessively rewrites his history and redefines his own identity. Through the analysis of this case study, the essay challenges well-established categories such as compilation and found footage film and addresses the connection between recycled images, memory and identity.https://cinergie.unibo.it/article/view/7391Stand By For Tape Back-upRoss Sutherlandpostproduction
spellingShingle Chiara Grizzaffi
“Accidental” Postproduction and Acts of Remembering in Stand By For Tape Back-up, by Ross Sutherland
Cinergie
Stand By For Tape Back-up
Ross Sutherland
postproduction
title “Accidental” Postproduction and Acts of Remembering in Stand By For Tape Back-up, by Ross Sutherland
title_full “Accidental” Postproduction and Acts of Remembering in Stand By For Tape Back-up, by Ross Sutherland
title_fullStr “Accidental” Postproduction and Acts of Remembering in Stand By For Tape Back-up, by Ross Sutherland
title_full_unstemmed “Accidental” Postproduction and Acts of Remembering in Stand By For Tape Back-up, by Ross Sutherland
title_short “Accidental” Postproduction and Acts of Remembering in Stand By For Tape Back-up, by Ross Sutherland
title_sort accidental postproduction and acts of remembering in stand by for tape back up by ross sutherland
topic Stand By For Tape Back-up
Ross Sutherland
postproduction
url https://cinergie.unibo.it/article/view/7391
work_keys_str_mv AT chiaragrizzaffi accidentalpostproductionandactsofrememberinginstandbyfortapebackupbyrosssutherland