Postdramatic Theatre, 12 years later

This text takes stock of the twelve years of emergence of the practice and term Postdramatic and some of its developments and issues in the performing arts. It discusses the changes through which the contemporary scene has gone since 1999 and consequently the changes we should consider when reading...

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Main Author: Hans-Thies Lehmann (Johann Wolfgang Goethe-Universität Frankfurt am Main – Frankfurt, Alemanha)
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2013-09-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/39703
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author Hans-Thies Lehmann (Johann Wolfgang Goethe-Universität Frankfurt am Main – Frankfurt, Alemanha)
author_facet Hans-Thies Lehmann (Johann Wolfgang Goethe-Universität Frankfurt am Main – Frankfurt, Alemanha)
author_sort Hans-Thies Lehmann (Johann Wolfgang Goethe-Universität Frankfurt am Main – Frankfurt, Alemanha)
collection DOAJ
description This text takes stock of the twelve years of emergence of the practice and term Postdramatic and some of its developments and issues in the performing arts. It discusses the changes through which the contemporary scene has gone since 1999 and consequently the changes we should consider when reading and analysing the concept of postdramatic; among them, the focus on collaborative work; new relations between theatre and society; the focus on dance; and the return of words. Finally, the text raises the question of whether or not the term postdramatic should be reconsidered.
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spelling doaj.art-8e8ae0f99f6b43acb8f825d6bcf61d0e2022-12-22T03:49:16ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602013-09-0133Postdramatic Theatre, 12 years laterHans-Thies Lehmann (Johann Wolfgang Goethe-Universität Frankfurt am Main – Frankfurt, Alemanha) This text takes stock of the twelve years of emergence of the practice and term Postdramatic and some of its developments and issues in the performing arts. It discusses the changes through which the contemporary scene has gone since 1999 and consequently the changes we should consider when reading and analysing the concept of postdramatic; among them, the focus on collaborative work; new relations between theatre and society; the focus on dance; and the return of words. Finally, the text raises the question of whether or not the term postdramatic should be reconsidered. https://seer.ufrgs.br/index.php/presenca/article/view/39703Postdramatic TheatreHans-Thies LehmannSpectacleContemporary ScenePerforming Arts
spellingShingle Hans-Thies Lehmann (Johann Wolfgang Goethe-Universität Frankfurt am Main – Frankfurt, Alemanha)
Postdramatic Theatre, 12 years later
Revista Brasileira de Estudos da Presença
Postdramatic Theatre
Hans-Thies Lehmann
Spectacle
Contemporary Scene
Performing Arts
title Postdramatic Theatre, 12 years later
title_full Postdramatic Theatre, 12 years later
title_fullStr Postdramatic Theatre, 12 years later
title_full_unstemmed Postdramatic Theatre, 12 years later
title_short Postdramatic Theatre, 12 years later
title_sort postdramatic theatre 12 years later
topic Postdramatic Theatre
Hans-Thies Lehmann
Spectacle
Contemporary Scene
Performing Arts
url https://seer.ufrgs.br/index.php/presenca/article/view/39703
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