Vocalizar a ferida

Taking into consideration the recent emergence of Afrodescendant literature in Portugal and the ongoing literary criticism debate surrounding its delineations, this article engages in an analysis of its poetic production through the concept of ‘poetic memory’. Poetic memory constitutes a politica...

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Main Author: Biasio, Nicola
Format: Article
Language:English
Published: Fondazione Università Ca’ Foscari 2023-12-01
Series:Il Tolomeo
Subjects:
Online Access:http://doi.org/10.30687/Tol/2499-5975/2023/01/011
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author Biasio, Nicola
author_facet Biasio, Nicola
author_sort Biasio, Nicola
collection DOAJ
description Taking into consideration the recent emergence of Afrodescendant literature in Portugal and the ongoing literary criticism debate surrounding its delineations, this article engages in an analysis of its poetic production through the concept of ‘poetic memory’. Poetic memory constitutes a politically charged remembrance endeavour, seeking to elucidate the enduring ramifications of the colonial legacy through the act of composing poetry. The poetry collections by Yara Nakahanda Monteiro and raquellima, along with the collaborative project Djidiu – A herança do ouvido, notably awaken the ghosts of Afrodescendant postmemory. They establish a bridge between the timeless echoes of historical violence and the complexities of identity concerns. These texts underscore the potential for vulnerability and memory to evolve into both individual and collective healing practices through the medium of poetry and its vocalization. Through the invocation of the colonial past and its enduring spectral presence, this poetic production accentuates the urgency, for Portuguese society, to assume responsibility for this historical legacy.
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spelling doaj.art-8ea4c0ae083a485c9d875e12d8e38f812023-12-18T17:04:01ZengFondazione Università Ca’ FoscariIl Tolomeo2499-59752023-12-01252510.30687/Tol/2499-5975/2023/01/011journal_article_14542Vocalizar a feridaBiasio, Nicola0Alma Mater Studiorum - Università di Bologna, Italia Taking into consideration the recent emergence of Afrodescendant literature in Portugal and the ongoing literary criticism debate surrounding its delineations, this article engages in an analysis of its poetic production through the concept of ‘poetic memory’. Poetic memory constitutes a politically charged remembrance endeavour, seeking to elucidate the enduring ramifications of the colonial legacy through the act of composing poetry. The poetry collections by Yara Nakahanda Monteiro and raquellima, along with the collaborative project Djidiu – A herança do ouvido, notably awaken the ghosts of Afrodescendant postmemory. They establish a bridge between the timeless echoes of historical violence and the complexities of identity concerns. These texts underscore the potential for vulnerability and memory to evolve into both individual and collective healing practices through the medium of poetry and its vocalization. Through the invocation of the colonial past and its enduring spectral presence, this poetic production accentuates the urgency, for Portuguese society, to assume responsibility for this historical legacy. http://doi.org/10.30687/Tol/2499-5975/2023/01/011Afrodescendant Portuguese literature. Poetry. Post-memory. Trauma. Vulnerability
spellingShingle Biasio, Nicola
Vocalizar a ferida
Il Tolomeo
Afrodescendant Portuguese literature. Poetry. Post-memory. Trauma. Vulnerability
title Vocalizar a ferida
title_full Vocalizar a ferida
title_fullStr Vocalizar a ferida
title_full_unstemmed Vocalizar a ferida
title_short Vocalizar a ferida
title_sort vocalizar a ferida
topic Afrodescendant Portuguese literature. Poetry. Post-memory. Trauma. Vulnerability
url http://doi.org/10.30687/Tol/2499-5975/2023/01/011
work_keys_str_mv AT biasionicola vocalizaraferida