The Sound of Museums: Music and Silence in Music Exhibitions

In this article, I discuss the role of sound in music exhibitions, especially as related to the display of musical instruments. On the basis of field research conducted in the Musée de la musique in Paris, the Musical Instruments Museum (MIM) in Brussels, and the Music Collection at the Munich City...

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Main Author: Elisabeth Magesacher
Format: Article
Language:English
Published: Österreichische Gesellschaft für Musikwissenschaft 2023-07-01
Series:Musicologica Austriaca
Subjects:
Online Access:https://musau.org//parts/neue-article-page/pdf/160
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author Elisabeth Magesacher
author_facet Elisabeth Magesacher
author_sort Elisabeth Magesacher
collection DOAJ
description In this article, I discuss the role of sound in music exhibitions, especially as related to the display of musical instruments. On the basis of field research conducted in the Musée de la musique in Paris, the Musical Instruments Museum (MIM) in Brussels, and the Music Collection at the Munich City Museum, I discuss different technological methods for integrating sound into music exhibitions, such as portable and stationary systems, live music, or interactive hands-on stations, the effects they have on visitors’ perception of the exhibitions, and how they are linked to exhibition narrative. I discuss the role of music, noise, and silence in music exhibitions as historically visually oriented sites and thereby problematize the issue of displaying the intangible “object” of music in a visually oriented museum. Furthermore, I discuss the role and potential of silence in music exhibitions.   back to index next article
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spelling doaj.art-8f2212a46531442d9b8f9360886f5cd42023-07-31T16:01:02ZengÖsterreichische Gesellschaft für MusikwissenschaftMusicologica Austriaca1016-10662411-66962023-07-01Visualizing Music Histories? The 1892 International Exhibition of Music and Drama and BeyondThe Sound of Museums: Music and Silence in Music ExhibitionsElisabeth MagesacherIn this article, I discuss the role of sound in music exhibitions, especially as related to the display of musical instruments. On the basis of field research conducted in the Musée de la musique in Paris, the Musical Instruments Museum (MIM) in Brussels, and the Music Collection at the Munich City Museum, I discuss different technological methods for integrating sound into music exhibitions, such as portable and stationary systems, live music, or interactive hands-on stations, the effects they have on visitors’ perception of the exhibitions, and how they are linked to exhibition narrative. I discuss the role of music, noise, and silence in music exhibitions as historically visually oriented sites and thereby problematize the issue of displaying the intangible “object” of music in a visually oriented museum. Furthermore, I discuss the role and potential of silence in music exhibitions.   back to index next articlehttps://musau.org//parts/neue-article-page/pdf/160audiovisualfield researchimmaterialmuseummusic exhibitionmusical instrumentssilencesoundvisitorvisual
spellingShingle Elisabeth Magesacher
The Sound of Museums: Music and Silence in Music Exhibitions
Musicologica Austriaca
audiovisual
field research
immaterial
museum
music exhibition
musical instruments
silence
sound
visitor
visual
title The Sound of Museums: Music and Silence in Music Exhibitions
title_full The Sound of Museums: Music and Silence in Music Exhibitions
title_fullStr The Sound of Museums: Music and Silence in Music Exhibitions
title_full_unstemmed The Sound of Museums: Music and Silence in Music Exhibitions
title_short The Sound of Museums: Music and Silence in Music Exhibitions
title_sort sound of museums music and silence in music exhibitions
topic audiovisual
field research
immaterial
museum
music exhibition
musical instruments
silence
sound
visitor
visual
url https://musau.org//parts/neue-article-page/pdf/160
work_keys_str_mv AT elisabethmagesacher thesoundofmuseumsmusicandsilenceinmusicexhibitions
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