Up the river, into the dark: textual play and dystopian gloom in Joca Reiners Terron’s A morte e o meteoro

The dystopian character of Joca Reiners Terron’s A morte e o meteoro (2019) is indissociable from its critique of colonialism. But while the novel makes frequent references to the violent methods of exploitation that characterized American colonization, it mostly relies on allusions to different li...

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Main Author: André Cabral de Almeida Cardoso
Format: Article
Language:English
Published: Universidade Federal de Santa Catarina 2023-08-01
Series:Ilha do Desterro
Subjects:
Online Access:https://periodicos.ufsc.br/index.php/desterro/article/view/92681
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author André Cabral de Almeida Cardoso
author_facet André Cabral de Almeida Cardoso
author_sort André Cabral de Almeida Cardoso
collection DOAJ
description The dystopian character of Joca Reiners Terron’s A morte e o meteoro (2019) is indissociable from its critique of colonialism. But while the novel makes frequent references to the violent methods of exploitation that characterized American colonization, it mostly relies on allusions to different literary traditions—including gothic fiction, the adventure novel, and science fiction—in its depiction of colonialism. The dialogue with Heart of Darkness plays a significant role in A morte e o meteoro, which to a large extent is a critical rereading of Conrad’s novella. This article examines how this appropriation of textual and cultural paradigms shapes the dystopian outlook of the novel, while also offering alternatives to the hopelessness that defines its fictional world.
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spelling doaj.art-8f57dade4f7347dabebada86e1e55f462023-08-22T18:21:59ZengUniversidade Federal de Santa CatarinaIlha do Desterro0101-48462175-80262023-08-0176210.5007/2175-8026.2023.e92681Up the river, into the dark: textual play and dystopian gloom in Joca Reiners Terron’s A morte e o meteoroAndré Cabral de Almeida Cardoso The dystopian character of Joca Reiners Terron’s A morte e o meteoro (2019) is indissociable from its critique of colonialism. But while the novel makes frequent references to the violent methods of exploitation that characterized American colonization, it mostly relies on allusions to different literary traditions—including gothic fiction, the adventure novel, and science fiction—in its depiction of colonialism. The dialogue with Heart of Darkness plays a significant role in A morte e o meteoro, which to a large extent is a critical rereading of Conrad’s novella. This article examines how this appropriation of textual and cultural paradigms shapes the dystopian outlook of the novel, while also offering alternatives to the hopelessness that defines its fictional world. https://periodicos.ufsc.br/index.php/desterro/article/view/92681apocalyptic and dystopian fictionadventure noveltextual appropriationpop cultureHeart of Darkness
spellingShingle André Cabral de Almeida Cardoso
Up the river, into the dark: textual play and dystopian gloom in Joca Reiners Terron’s A morte e o meteoro
Ilha do Desterro
apocalyptic and dystopian fiction
adventure novel
textual appropriation
pop culture
Heart of Darkness
title Up the river, into the dark: textual play and dystopian gloom in Joca Reiners Terron’s A morte e o meteoro
title_full Up the river, into the dark: textual play and dystopian gloom in Joca Reiners Terron’s A morte e o meteoro
title_fullStr Up the river, into the dark: textual play and dystopian gloom in Joca Reiners Terron’s A morte e o meteoro
title_full_unstemmed Up the river, into the dark: textual play and dystopian gloom in Joca Reiners Terron’s A morte e o meteoro
title_short Up the river, into the dark: textual play and dystopian gloom in Joca Reiners Terron’s A morte e o meteoro
title_sort up the river into the dark textual play and dystopian gloom in joca reiners terron s a morte e o meteoro
topic apocalyptic and dystopian fiction
adventure novel
textual appropriation
pop culture
Heart of Darkness
url https://periodicos.ufsc.br/index.php/desterro/article/view/92681
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