Kant and the Relation between Imagination and Reason in the Beauty of Art

ant in Critique of Judgment tries to introduce aesthetical judgment as a product of reflective judgment, and he, in the First Critique, separates it from the cognitive judgments of understanding, but in the Second Critique, from the ethical judgments of reason. Because the Third Critique must fill t...

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Main Author: Reza Mahouzi
Format: Article
Language:English
Published: University of Tabriz, Faculty of Literature and Forigen Languages 2015-10-01
Series:Journal of Philosophical Investigations
Subjects:
Online Access:http://philosophy.tabrizu.ac.ir/article_3718_635.html
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author Reza Mahouzi
author_facet Reza Mahouzi
author_sort Reza Mahouzi
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description ant in Critique of Judgment tries to introduce aesthetical judgment as a product of reflective judgment, and he, in the First Critique, separates it from the cognitive judgments of understanding, but in the Second Critique, from the ethical judgments of reason. Because the Third Critique must fill the gap between those two, and thus enable communication between two realms of philosophy, it has to establish a relation between faculties of understanding, reason, and imagination in an aesthetical and a teleological reflective. This paper, introducing the general principles governing on aesthetical reflective judgment and the free play of imagination and understanding for abstraction of pure and final form of objects, wants to justify the relation between imagination and reason in the beauty of art and its two parts, i.e., the mechanical arts, and fine art (genius).
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spelling doaj.art-8f824c9007704eceab9778b1733d9d282023-09-03T01:15:46ZengUniversity of Tabriz, Faculty of Literature and Forigen LanguagesJournal of Philosophical Investigations2251-79602423-44192015-10-01916177196Kant and the Relation between Imagination and Reason in the Beauty of Art Reza Mahouzi ant in Critique of Judgment tries to introduce aesthetical judgment as a product of reflective judgment, and he, in the First Critique, separates it from the cognitive judgments of understanding, but in the Second Critique, from the ethical judgments of reason. Because the Third Critique must fill the gap between those two, and thus enable communication between two realms of philosophy, it has to establish a relation between faculties of understanding, reason, and imagination in an aesthetical and a teleological reflective. This paper, introducing the general principles governing on aesthetical reflective judgment and the free play of imagination and understanding for abstraction of pure and final form of objects, wants to justify the relation between imagination and reason in the beauty of art and its two parts, i.e., the mechanical arts, and fine art (genius).http://philosophy.tabrizu.ac.ir/article_3718_635.htmlreflective judgmentbeauty of artKanteasthetics
spellingShingle Reza Mahouzi
Kant and the Relation between Imagination and Reason in the Beauty of Art
Journal of Philosophical Investigations
reflective judgment
beauty of art
Kant
easthetics
title Kant and the Relation between Imagination and Reason in the Beauty of Art
title_full Kant and the Relation between Imagination and Reason in the Beauty of Art
title_fullStr Kant and the Relation between Imagination and Reason in the Beauty of Art
title_full_unstemmed Kant and the Relation between Imagination and Reason in the Beauty of Art
title_short Kant and the Relation between Imagination and Reason in the Beauty of Art
title_sort kant and the relation between imagination and reason in the beauty of art
topic reflective judgment
beauty of art
Kant
easthetics
url http://philosophy.tabrizu.ac.ir/article_3718_635.html
work_keys_str_mv AT rezamahouzi kantandtherelationbetweenimaginationandreasoninthebeautyofart