Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial

This paper explores the sound aesthetics of the Uruguayan performance group Moxhelis focusing on its relationship with industrial and postindustrial music. The aesthetics of the group's performances consisted on a juxtaposition of fragmentary images in which post-industrial, circus, post-avant-...

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Main Author: Damián Pérez Mezzadra
Format: Article
Language:English
Published: Instituto de Letras Alfredo Veiravé, Facultad de Humanidades, Universidad Nacional del Nordeste 2022-07-01
Series:Cuadernos de Literatura
Subjects:
Online Access:https://revistas.unne.edu.ar/index.php/clt/article/view/5996
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author Damián Pérez Mezzadra
author_facet Damián Pérez Mezzadra
author_sort Damián Pérez Mezzadra
collection DOAJ
description This paper explores the sound aesthetics of the Uruguayan performance group Moxhelis focusing on its relationship with industrial and postindustrial music. The aesthetics of the group's performances consisted on a juxtaposition of fragmentary images in which post-industrial, circus, post-avant-garde, retro-futuristic and post-apocalyptic elements were intertwined. The Moxhelian aesthetics can be addressed from different perspectives, whether focusing on its sound, its visuals or on the bodily dimension. Moreover, these positions interact with each other in every performance, producing a complex network of meanings and aesthetic perceptions. Through the analysis of the preserved audiovisual archive, in this paper we will approach the sound dimension succinctly, presenting the group's performances in the 1990s in Uruguay.
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spelling doaj.art-8fd61c4ac0dd48d4b6b32c6ed07d8e552022-12-22T04:30:17ZengInstituto de Letras Alfredo Veiravé, Facultad de Humanidades, Universidad Nacional del NordesteCuadernos de Literatura0326-51022684-04992022-07-0101812613410.30972/clt.01859965406Moxhelis: its Musical Aesthetics Between the Industrial and the Post-IndustrialDamián Pérez Mezzadra0Universidad de la RepúblicaThis paper explores the sound aesthetics of the Uruguayan performance group Moxhelis focusing on its relationship with industrial and postindustrial music. The aesthetics of the group's performances consisted on a juxtaposition of fragmentary images in which post-industrial, circus, post-avant-garde, retro-futuristic and post-apocalyptic elements were intertwined. The Moxhelian aesthetics can be addressed from different perspectives, whether focusing on its sound, its visuals or on the bodily dimension. Moreover, these positions interact with each other in every performance, producing a complex network of meanings and aesthetic perceptions. Through the analysis of the preserved audiovisual archive, in this paper we will approach the sound dimension succinctly, presenting the group's performances in the 1990s in Uruguay.https://revistas.unne.edu.ar/index.php/clt/article/view/5996moxhelisperformancemúsica post-industrialestéticatecnovivio
spellingShingle Damián Pérez Mezzadra
Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial
Cuadernos de Literatura
moxhelis
performance
música post-industrial
estética
tecnovivio
title Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial
title_full Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial
title_fullStr Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial
title_full_unstemmed Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial
title_short Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial
title_sort moxhelis its musical aesthetics between the industrial and the post industrial
topic moxhelis
performance
música post-industrial
estética
tecnovivio
url https://revistas.unne.edu.ar/index.php/clt/article/view/5996
work_keys_str_mv AT damianperezmezzadra moxhelisitsmusicalaestheticsbetweentheindustrialandthepostindustrial