An Unknown Correlation in Hexametric Poetry and the Interpretation of the Brevis in Longo Principle
The goal of this paper is to show that (some) Ancient Greek hexametric poets were not indifferent to the quantity of the final syllable of the verse, by studying the correlation between that quantity and the different possible word ends in the fourth foot of the verse. The results of the study sugge...
Main Author: | Alejandro Abritta |
---|---|
Format: | Article |
Language: | English |
Published: |
Sociedade Brasileira de Estudos Clássicos (SBEC)
2017-12-01
|
Series: | Classica, Revista Brasileira de Estudos Clássicos |
Subjects: | |
Online Access: | https://revista.classica.org.br/classica/article/view/435 |
Similar Items
-
Le « meilleur » et le « pire » chez Apollonios de Rhodes, ou de l’art d’être plus « homérique » qu’Homère
by: Éric Dieu
Published: (2020-10-01) -
Imiter Homère : sur la tmèse chez Apollonios de Rhodes
by: Julia Del Treppo
Published: (2020-10-01) -
Cri animal et voix humaine dans les Argonautiques d’Apollonios de Rhodes
by: Emmanuelle Morel
Published: (2023-10-01) -
Spondees and dactyls and their prosodic basis in the Latin hexameter
by: Andreas Keränen
Published: (2017-04-01) -
The Breast of Antinous. The Male Body as Erotic Object in Hellenistic Image and Text
by: Benjamin Acosta-Hughes
Published: (2016-06-01)