Verbal art as heuristic for semantic analyses

Aymara is an Amerindian language spoken mainly in Peru and Bolivia. To date, relatively little is documented about Aymara verbal art. Accordingly, we analyze a traditional song recorded in the Peruvian highlands. We provide a musical and linguistic analysis of the non-prosodic poetic song structure....

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Main Authors: Matt Coler, Patrice Guyot, Edwin Banegas-Flores
Format: Article
Language:English
Published: Universidade Estadual de Campinas 2020-10-01
Series:Liames
Subjects:
Online Access:https://periodicos.sbu.unicamp.br/ojs/index.php/liames/article/view/8660368
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author Matt Coler
Patrice Guyot
Edwin Banegas-Flores
author_facet Matt Coler
Patrice Guyot
Edwin Banegas-Flores
author_sort Matt Coler
collection DOAJ
description Aymara is an Amerindian language spoken mainly in Peru and Bolivia. To date, relatively little is documented about Aymara verbal art. Accordingly, we analyze a traditional song recorded in the Peruvian highlands. We provide a musical and linguistic analysis of the non-prosodic poetic song structure. We detail the octosyllabic, homeoteleutonic strategies for line formation, the melodic and rhythmic characteristics, and outline the syntactic, morphological, and semantic strategies used in forming semantic couplets. This reveals semantic categories which would not be apparent in a traditional linguistic analysis. Furthermore, the musical analysis confirms previous works on the misperception of a musical anacrusis. We conclude that rigorous, scientific analyses of verbal art require consideration of the construction of meaning through practice and dialog.
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spelling doaj.art-8fece2d5de544732a669e275670cc87b2022-12-21T19:24:48ZengUniversidade Estadual de CampinasLiames1678-05312177-71602020-10-01200010.20396/liames.v20i0.8660368Verbal art as heuristic for semantic analysesMatt Coler0Patrice Guyot1Edwin Banegas-Flores2University of GroningenUniversity of MontpellierPeruvian Ministry of CultureAymara is an Amerindian language spoken mainly in Peru and Bolivia. To date, relatively little is documented about Aymara verbal art. Accordingly, we analyze a traditional song recorded in the Peruvian highlands. We provide a musical and linguistic analysis of the non-prosodic poetic song structure. We detail the octosyllabic, homeoteleutonic strategies for line formation, the melodic and rhythmic characteristics, and outline the syntactic, morphological, and semantic strategies used in forming semantic couplets. This reveals semantic categories which would not be apparent in a traditional linguistic analysis. Furthermore, the musical analysis confirms previous works on the misperception of a musical anacrusis. We conclude that rigorous, scientific analyses of verbal art require consideration of the construction of meaning through practice and dialog.https://periodicos.sbu.unicamp.br/ojs/index.php/liames/article/view/8660368AymaraAnacrusisVerbal artSemantic coupletsSemantic categoriesPoetic structures
spellingShingle Matt Coler
Patrice Guyot
Edwin Banegas-Flores
Verbal art as heuristic for semantic analyses
Liames
Aymara
Anacrusis
Verbal art
Semantic couplets
Semantic categories
Poetic structures
title Verbal art as heuristic for semantic analyses
title_full Verbal art as heuristic for semantic analyses
title_fullStr Verbal art as heuristic for semantic analyses
title_full_unstemmed Verbal art as heuristic for semantic analyses
title_short Verbal art as heuristic for semantic analyses
title_sort verbal art as heuristic for semantic analyses
topic Aymara
Anacrusis
Verbal art
Semantic couplets
Semantic categories
Poetic structures
url https://periodicos.sbu.unicamp.br/ojs/index.php/liames/article/view/8660368
work_keys_str_mv AT mattcoler verbalartasheuristicforsemanticanalyses
AT patriceguyot verbalartasheuristicforsemanticanalyses
AT edwinbanegasflores verbalartasheuristicforsemanticanalyses