Old Wine in New Bottles. Narrative complexity in the dawn of Netflix Originals (2013-2017)

This article explores how the first five years of Netflix Originals dramatic storytelling fit the “Complex TV” label that Mittell defined, with its innovative season-drop delivery strategy. We focus on one narratological device: the delimited flashback, the predominant type of analepsis in the 33 p...

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Main Authors: José-Antonio Planes, Alberto-N. García
Format: Article
Language:English
Published: Universidad de Navarra 2024-01-01
Series:Communication & Society (Formerly Comunicación y Sociedad)
Subjects:
Online Access:https://revistas.unav.edu/index.php/communication-and-society/article/view/44586
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author José-Antonio Planes
Alberto-N. García
author_facet José-Antonio Planes
Alberto-N. García
author_sort José-Antonio Planes
collection DOAJ
description This article explores how the first five years of Netflix Originals dramatic storytelling fit the “Complex TV” label that Mittell defined, with its innovative season-drop delivery strategy. We focus on one narratological device: the delimited flashback, the predominant type of analepsis in the 33 pilot episodes that made up our sample. Although the delimited flashbacks analyzed are semantically diverse, the discussion combines quantitative data with a qualitative analysis focusing on three key elements: the objects and places that trigger the characters’ memories, the contradictory or parallel relationship between timeframes, and the violation of boundaries between narrative layers.
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spelling doaj.art-8ffc87de084c4247acdc75a2b6b052d72024-01-09T10:49:30ZengUniversidad de NavarraCommunication & Society (Formerly Comunicación y Sociedad)2386-78762024-01-0137110.15581/003.37.1.1-19Old Wine in New Bottles. Narrative complexity in the dawn of Netflix Originals (2013-2017)José-Antonio Planes0Alberto-N. García1Universidad de MedellínUniversidad de Navarra This article explores how the first five years of Netflix Originals dramatic storytelling fit the “Complex TV” label that Mittell defined, with its innovative season-drop delivery strategy. We focus on one narratological device: the delimited flashback, the predominant type of analepsis in the 33 pilot episodes that made up our sample. Although the delimited flashbacks analyzed are semantically diverse, the discussion combines quantitative data with a qualitative analysis focusing on three key elements: the objects and places that trigger the characters’ memories, the contradictory or parallel relationship between timeframes, and the violation of boundaries between narrative layers. https://revistas.unav.edu/index.php/communication-and-society/article/view/44586FlashbackNetflixnarrativenarratologytelevision studies
spellingShingle José-Antonio Planes
Alberto-N. García
Old Wine in New Bottles. Narrative complexity in the dawn of Netflix Originals (2013-2017)
Communication & Society (Formerly Comunicación y Sociedad)
Flashback
Netflix
narrative
narratology
television studies
title Old Wine in New Bottles. Narrative complexity in the dawn of Netflix Originals (2013-2017)
title_full Old Wine in New Bottles. Narrative complexity in the dawn of Netflix Originals (2013-2017)
title_fullStr Old Wine in New Bottles. Narrative complexity in the dawn of Netflix Originals (2013-2017)
title_full_unstemmed Old Wine in New Bottles. Narrative complexity in the dawn of Netflix Originals (2013-2017)
title_short Old Wine in New Bottles. Narrative complexity in the dawn of Netflix Originals (2013-2017)
title_sort old wine in new bottles narrative complexity in the dawn of netflix originals 2013 2017
topic Flashback
Netflix
narrative
narratology
television studies
url https://revistas.unav.edu/index.php/communication-and-society/article/view/44586
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