Mokranjac on repeat: Reaffirming musical canon through sound recordings (PGP-RTB/RTS discography)
Starting with the hypothesis that sound recordings published by the Serbian/ Yugoslav record label PGP-RTB/RTS dominated programmes of the Radio Television Belgrade/Radio Television Serbia during most of the twentieth century (while declining in this century), and that decisions made within...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
2019-01-01
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| Series: | Muzikologija |
| Subjects: | |
| Online Access: | http://www.doiserbia.nb.rs/img/doi/1450-9814/2019/1450-98141927221M.pdf |
| _version_ | 1831648117653504000 |
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| author | Milanović Biljana Maglov Marija |
| author_facet | Milanović Biljana Maglov Marija |
| author_sort | Milanović Biljana |
| collection | DOAJ |
| description | Starting with the hypothesis that sound recordings published by the Serbian/
Yugoslav record label PGP-RTB/RTS dominated programmes of the Radio
Television Belgrade/Radio Television Serbia during most of the twentieth
century (while declining in this century), and that decisions made within
the label on which composers’ works were going to be (repeatedly) present in
its catalogue consequently had significant impact on overall music and
media culture in Serbia/Yugoslavia, our goal was to examine how the central
composer figure of Serbian music, Stevan Stojanović Mokranjac, was
represented in this catalogue. Research methods were based primarily on
analysis of archive material gathered in documentation of the label itself,
data on recordings available via online music databases, and recordings
themselves, while relying on theoretical notions of canon in music, with the
accent on the performing canon. [Project of the Serbian Ministry of Education, Science and Technological Development, Grant no. 177004: Serbian Musical Identities within Local and Global Frameworks: Traditions, Changes, Challenges] |
| first_indexed | 2024-12-19T14:26:29Z |
| format | Article |
| id | doaj.art-901b3554bd6d47f2936889a223cb1b8c |
| institution | Directory Open Access Journal |
| issn | 1450-9814 2406-0976 |
| language | English |
| last_indexed | 2024-12-19T14:26:29Z |
| publishDate | 2019-01-01 |
| publisher | Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts |
| record_format | Article |
| series | Muzikologija |
| spelling | doaj.art-901b3554bd6d47f2936889a223cb1b8c2022-12-21T20:17:36ZengSerbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and ArtsMuzikologija1450-98142406-09762019-01-0120192722125010.2298/MUZ1927221M1450-98141927221MMokranjac on repeat: Reaffirming musical canon through sound recordings (PGP-RTB/RTS discography)Milanović Biljana0Maglov Marija1Institute of Musicology, Serbian Academy of Sciences and Arts, Belgrade, SerbiaInstitute of Musicology, Serbian Academy of Sciences and Arts, Belgrade, SerbiaStarting with the hypothesis that sound recordings published by the Serbian/ Yugoslav record label PGP-RTB/RTS dominated programmes of the Radio Television Belgrade/Radio Television Serbia during most of the twentieth century (while declining in this century), and that decisions made within the label on which composers’ works were going to be (repeatedly) present in its catalogue consequently had significant impact on overall music and media culture in Serbia/Yugoslavia, our goal was to examine how the central composer figure of Serbian music, Stevan Stojanović Mokranjac, was represented in this catalogue. Research methods were based primarily on analysis of archive material gathered in documentation of the label itself, data on recordings available via online music databases, and recordings themselves, while relying on theoretical notions of canon in music, with the accent on the performing canon. [Project of the Serbian Ministry of Education, Science and Technological Development, Grant no. 177004: Serbian Musical Identities within Local and Global Frameworks: Traditions, Changes, Challenges]http://www.doiserbia.nb.rs/img/doi/1450-9814/2019/1450-98141927221M.pdfmusical canonperforming canonstevan stojanović mokranjacpgp-rtb/rtsdiscographyrtb/rts choir |
| spellingShingle | Milanović Biljana Maglov Marija Mokranjac on repeat: Reaffirming musical canon through sound recordings (PGP-RTB/RTS discography) Muzikologija musical canon performing canon stevan stojanović mokranjac pgp-rtb/rts discography rtb/rts choir |
| title | Mokranjac on repeat: Reaffirming musical canon through sound recordings (PGP-RTB/RTS discography) |
| title_full | Mokranjac on repeat: Reaffirming musical canon through sound recordings (PGP-RTB/RTS discography) |
| title_fullStr | Mokranjac on repeat: Reaffirming musical canon through sound recordings (PGP-RTB/RTS discography) |
| title_full_unstemmed | Mokranjac on repeat: Reaffirming musical canon through sound recordings (PGP-RTB/RTS discography) |
| title_short | Mokranjac on repeat: Reaffirming musical canon through sound recordings (PGP-RTB/RTS discography) |
| title_sort | mokranjac on repeat reaffirming musical canon through sound recordings pgp rtb rts discography |
| topic | musical canon performing canon stevan stojanović mokranjac pgp-rtb/rts discography rtb/rts choir |
| url | http://www.doiserbia.nb.rs/img/doi/1450-9814/2019/1450-98141927221M.pdf |
| work_keys_str_mv | AT milanovicbiljana mokranjaconrepeatreaffirmingmusicalcanonthroughsoundrecordingspgprtbrtsdiscography AT maglovmarija mokranjaconrepeatreaffirmingmusicalcanonthroughsoundrecordingspgprtbrtsdiscography |