Adapting the Adapted: The Black Rapist Myth in E.R. Burroughs’ Tarzan of the Apes and Its Film Adaptations

Whether in art or science, adaptation does not refer to something original but to a mutated and permutated version of a pre-existing original. In literature, adaptation occurs first when real-life stories are adapted into fiction; these fictions then often undergo a second technological adaptation a...

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Main Author: Biljana Oklopčić
Format: Article
Language:deu
Published: University of Osijek 2017-12-01
Series:Anafora
Subjects:
Online Access:http://www.ffos.unios.hr/anafora/anafora-42-8-the-black-rapist-myth
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author Biljana Oklopčić
author_facet Biljana Oklopčić
author_sort Biljana Oklopčić
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description Whether in art or science, adaptation does not refer to something original but to a mutated and permutated version of a pre-existing original. In literature, adaptation occurs first when real-life stories are adapted into fiction; these fictions then often undergo a second technological adaptation as literary works are adapted into theatrical productions for stage or film. This paper explores one such doubled adaptation; it examines how the black rapist myth, which grew out of the social and cultural realities of the Jim Crow South, was transformed in E.R. Burroughs’ portrayal of Terkoz in the popular adventure novel, Tarzan of the Apes (1914), and then how this fiction was adapted into multiple and varied films between 1918 and 2016.
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spelling doaj.art-90491fa69c634d57baa699bcb50d78b32022-12-22T01:11:07ZdeuUniversity of OsijekAnafora1849-23392459-51602017-12-014231333110.29162/ANAFORA.v4i2.8Adapting the Adapted: The Black Rapist Myth in E.R. Burroughs’ Tarzan of the Apes and Its Film AdaptationsBiljana Oklopčić0University of OsijekWhether in art or science, adaptation does not refer to something original but to a mutated and permutated version of a pre-existing original. In literature, adaptation occurs first when real-life stories are adapted into fiction; these fictions then often undergo a second technological adaptation as literary works are adapted into theatrical productions for stage or film. This paper explores one such doubled adaptation; it examines how the black rapist myth, which grew out of the social and cultural realities of the Jim Crow South, was transformed in E.R. Burroughs’ portrayal of Terkoz in the popular adventure novel, Tarzan of the Apes (1914), and then how this fiction was adapted into multiple and varied films between 1918 and 2016.http://www.ffos.unios.hr/anafora/anafora-42-8-the-black-rapist-mythBlack rapist mythwhite racial anxietyEdgar Rice BurroughsTarzan of the Apespopular fictionadaptation
spellingShingle Biljana Oklopčić
Adapting the Adapted: The Black Rapist Myth in E.R. Burroughs’ Tarzan of the Apes and Its Film Adaptations
Anafora
Black rapist myth
white racial anxiety
Edgar Rice Burroughs
Tarzan of the Apes
popular fiction
adaptation
title Adapting the Adapted: The Black Rapist Myth in E.R. Burroughs’ Tarzan of the Apes and Its Film Adaptations
title_full Adapting the Adapted: The Black Rapist Myth in E.R. Burroughs’ Tarzan of the Apes and Its Film Adaptations
title_fullStr Adapting the Adapted: The Black Rapist Myth in E.R. Burroughs’ Tarzan of the Apes and Its Film Adaptations
title_full_unstemmed Adapting the Adapted: The Black Rapist Myth in E.R. Burroughs’ Tarzan of the Apes and Its Film Adaptations
title_short Adapting the Adapted: The Black Rapist Myth in E.R. Burroughs’ Tarzan of the Apes and Its Film Adaptations
title_sort adapting the adapted the black rapist myth in e r burroughs tarzan of the apes and its film adaptations
topic Black rapist myth
white racial anxiety
Edgar Rice Burroughs
Tarzan of the Apes
popular fiction
adaptation
url http://www.ffos.unios.hr/anafora/anafora-42-8-the-black-rapist-myth
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