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In this interview, Ruth Klüger, writer and survivor of Auschwitz, speaks of the wound of who, once alive outside the lager, has felt a “feeling of rejection” by the world that she thought it would have accepted her – as if the fault of the executioners had contaminated the victims. A separation that...

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Bibliographic Details
Main Author: Ruth Klüger
Format: Article
Language:English
Published: Rosenberg & Sellier 2010-12-01
Series:Rivista di Estetica
Online Access:http://journals.openedition.org/estetica/1751
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author Ruth Klüger
author_facet Ruth Klüger
author_sort Ruth Klüger
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description In this interview, Ruth Klüger, writer and survivor of Auschwitz, speaks of the wound of who, once alive outside the lager, has felt a “feeling of rejection” by the world that she thought it would have accepted her – as if the fault of the executioners had contaminated the victims. A separation that the survivor will live for all her life, both because, as a matter of fact, she feels to have a “double citizenship” between the alive and the dead – such that all in a sudden the normality breaks down and it gives way to the “old world” and the sensation that anything can be subtracted away – and because the witnesses, after having been rejected, they have turned into a generation of martyrs, object of a worship that can easily turn into nausea. However, the reflection on the human conditions cannot do away with the identification with what is acknowledged as similar, and for that reason a proximity is necessary.
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spelling doaj.art-90704ad79e7342f8b80d0d41deb434e02022-12-22T00:33:57ZengRosenberg & SellierRivista di Estetica0035-62122421-58642010-12-014511311810.4000/estetica.1751Senza un altroveRuth KlügerIn this interview, Ruth Klüger, writer and survivor of Auschwitz, speaks of the wound of who, once alive outside the lager, has felt a “feeling of rejection” by the world that she thought it would have accepted her – as if the fault of the executioners had contaminated the victims. A separation that the survivor will live for all her life, both because, as a matter of fact, she feels to have a “double citizenship” between the alive and the dead – such that all in a sudden the normality breaks down and it gives way to the “old world” and the sensation that anything can be subtracted away – and because the witnesses, after having been rejected, they have turned into a generation of martyrs, object of a worship that can easily turn into nausea. However, the reflection on the human conditions cannot do away with the identification with what is acknowledged as similar, and for that reason a proximity is necessary.http://journals.openedition.org/estetica/1751
spellingShingle Ruth Klüger
Senza un altrove
Rivista di Estetica
title Senza un altrove
title_full Senza un altrove
title_fullStr Senza un altrove
title_full_unstemmed Senza un altrove
title_short Senza un altrove
title_sort senza un altrove
url http://journals.openedition.org/estetica/1751
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