Making The Ballet of the Nations: Cinematography
Director of Photography, Jack Offord, talks to Ella Margolin about shooting and lighting Impermanence's The Ballet of the Nations. What kind of visual references, from both cinematography and art history, were brought to bear on the palette and lighting of the film? While depicting the staging...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Yale University
2019-03-01
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| Series: | British Art Studies |
| Subjects: | |
| Online Access: | http://britishartstudies.ac.uk/issues/issue-index/issue-11/cinematography |
| _version_ | 1811227792683040768 |
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| author | Ella Margolin Jack Offord |
| author_facet | Ella Margolin Jack Offord |
| author_sort | Ella Margolin |
| collection | DOAJ |
| description | Director of Photography, Jack Offord, talks to Ella Margolin about shooting and lighting Impermanence's The Ballet of the Nations. What kind of visual references, from both cinematography and art history, were brought to bear on the palette and lighting of the film? While depicting the staging of a dance, how does The Ballet of the Nations also acknowledge that it is itself a highly staged event? |
| first_indexed | 2024-04-12T09:47:40Z |
| format | Article |
| id | doaj.art-909c1d876ad74443a052e6e797a3725b |
| institution | Directory Open Access Journal |
| issn | 2058-5462 |
| language | English |
| last_indexed | 2024-04-12T09:47:40Z |
| publishDate | 2019-03-01 |
| publisher | Yale University |
| record_format | Article |
| series | British Art Studies |
| spelling | doaj.art-909c1d876ad74443a052e6e797a3725b2022-12-22T03:37:54ZengYale UniversityBritish Art Studies2058-54622019-03-011110.17658/issn.2058-5462/issue-11/cinematographyMaking The Ballet of the Nations: CinematographyElla Margolin0Jack OffordUniversity of BristolDirector of Photography, Jack Offord, talks to Ella Margolin about shooting and lighting Impermanence's The Ballet of the Nations. What kind of visual references, from both cinematography and art history, were brought to bear on the palette and lighting of the film? While depicting the staging of a dance, how does The Ballet of the Nations also acknowledge that it is itself a highly staged event?http://britishartstudies.ac.uk/issues/issue-index/issue-11/cinematographyartists' filmdirectingcinematographyimpermanenceartists film |
| spellingShingle | Ella Margolin Jack Offord Making The Ballet of the Nations: Cinematography British Art Studies artists' film directing cinematography impermanence artists film |
| title | Making The Ballet of the Nations: Cinematography |
| title_full | Making The Ballet of the Nations: Cinematography |
| title_fullStr | Making The Ballet of the Nations: Cinematography |
| title_full_unstemmed | Making The Ballet of the Nations: Cinematography |
| title_short | Making The Ballet of the Nations: Cinematography |
| title_sort | making the ballet of the nations cinematography |
| topic | artists' film directing cinematography impermanence artists film |
| url | http://britishartstudies.ac.uk/issues/issue-index/issue-11/cinematography |
| work_keys_str_mv | AT ellamargolin makingtheballetofthenationscinematography AT jackofford makingtheballetofthenationscinematography |