An “imperfect” Model of Authorship in Dorothy Wordsworth’s Grasmere Journal

This essay explores Dorothy Wordsworth’s collaborative, “pluralist” model of selfhood and authorship as it is elaborated in her Grasmere journal (1800-03). Nature and community, for her, are extensions of the self rather than (as they often are for her brother William) external forces to be subsumed...

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Main Author: Jasper Schelstraete
Format: Article
Language:English
Published: Ghent University 2015-12-01
Series:Authorship
Subjects:
Online Access:http://www.authorship.ugent.be/article/id/63932/
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author Jasper Schelstraete
author_facet Jasper Schelstraete
author_sort Jasper Schelstraete
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description This essay explores Dorothy Wordsworth’s collaborative, “pluralist” model of selfhood and authorship as it is elaborated in her Grasmere journal (1800-03). Nature and community, for her, are extensions of the self rather than (as they often are for her brother William) external forces to be subsumed by the self of the solitary artist. This model, however, is the site of ambivalence and conflict, and is therefore “imperfect” – a word Wordsworth herself uses to qualify the “summary” she believes her journal as a whole provides. It is “imperfect” not because it is inferior, weak, or deficient in some way, but because it is riddled with tension and inconsistency. Wordsworth embraces processes of collaborative creativity, but she also expresses – largely through her narrations of illness – dissatisfaction with such processes, and she sometimes finds relief in her solitary, melancholic musings. In these ways, she at once subverts, reworks, and reinforces conventional, ‘solitary genius’ paradigms of authorship.
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spelling doaj.art-90b2f5c8ac694981858df7a8f56e35df2022-12-21T17:23:34ZengGhent UniversityAuthorship2034-46432015-12-014210.21825/aj.v4i2.1440An “imperfect” Model of Authorship in Dorothy Wordsworth’s Grasmere JournalJasper SchelstraeteThis essay explores Dorothy Wordsworth’s collaborative, “pluralist” model of selfhood and authorship as it is elaborated in her Grasmere journal (1800-03). Nature and community, for her, are extensions of the self rather than (as they often are for her brother William) external forces to be subsumed by the self of the solitary artist. This model, however, is the site of ambivalence and conflict, and is therefore “imperfect” – a word Wordsworth herself uses to qualify the “summary” she believes her journal as a whole provides. It is “imperfect” not because it is inferior, weak, or deficient in some way, but because it is riddled with tension and inconsistency. Wordsworth embraces processes of collaborative creativity, but she also expresses – largely through her narrations of illness – dissatisfaction with such processes, and she sometimes finds relief in her solitary, melancholic musings. In these ways, she at once subverts, reworks, and reinforces conventional, ‘solitary genius’ paradigms of authorship.http://www.authorship.ugent.be/article/id/63932/Dorothy Wordsworthauthorshipcollaborative authorshippluralist authorshipWilliam WordsworthGrasmere Journal
spellingShingle Jasper Schelstraete
An “imperfect” Model of Authorship in Dorothy Wordsworth’s Grasmere Journal
Authorship
Dorothy Wordsworth
authorship
collaborative authorship
pluralist authorship
William Wordsworth
Grasmere Journal
title An “imperfect” Model of Authorship in Dorothy Wordsworth’s Grasmere Journal
title_full An “imperfect” Model of Authorship in Dorothy Wordsworth’s Grasmere Journal
title_fullStr An “imperfect” Model of Authorship in Dorothy Wordsworth’s Grasmere Journal
title_full_unstemmed An “imperfect” Model of Authorship in Dorothy Wordsworth’s Grasmere Journal
title_short An “imperfect” Model of Authorship in Dorothy Wordsworth’s Grasmere Journal
title_sort imperfect model of authorship in dorothy wordsworth s grasmere journal
topic Dorothy Wordsworth
authorship
collaborative authorship
pluralist authorship
William Wordsworth
Grasmere Journal
url http://www.authorship.ugent.be/article/id/63932/
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