L’allégorie de la femme-enfant alias Gisèle Prassinos comme aporie de genre dans le surréalisme
The organic link between automatic writing, surrealism’s subversive objective and the femme-enfant figure, produces a contradiction revealed by Man Ray’s photograph of the 1934 encounter between André Breton’s group and “Alice II,” as they named the young poetess Gisèle Prassinos. Such a mythologica...
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| Format: | Article |
| Language: | fra |
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Pléiade (EA 7338)
2012-09-01
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| Series: | Itinéraires |
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| Online Access: | http://journals.openedition.org/itineraires/1314 |