“In Sparkling Company”: Presenting Eighteenth-Century Britain in Western New York State

In May 2021, The Corning Museum of Glass, located in Western New York State, opened the exhibition “In Sparkling Company: Glass and the Costs of Social Life in Britain during the 1700s”. Its aim, through a lens of glass, was to introduce visitors to what it meant to be “modern” during the eighteenth...

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Bibliographic Details
Main Author: Christopher Maxwell
Format: Article
Language:English
Published: Yale University 2021-11-01
Series:British Art Studies
Subjects:
Online Access:https://britishartstudies.ac.uk/issues/issue-index/issue-21/in-sparking-company
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author Christopher Maxwell
author_facet Christopher Maxwell
author_sort Christopher Maxwell
collection DOAJ
description In May 2021, The Corning Museum of Glass, located in Western New York State, opened the exhibition “In Sparkling Company: Glass and the Costs of Social Life in Britain during the 1700s”. Its aim, through a lens of glass, was to introduce visitors to what it meant to be “modern” during the eighteenth century, and the social and economic costs of modernity both for the consumers and producers of luxury during this period. This feature considers the role of gallery design in engaging visitors with displays of often small-scale, colourless glass, while simultaneously supporting the exhibition’s narratives of technical innovation, design, and elite sociability against a backdrop of colonial expansion and exploitation.
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spelling doaj.art-911a57baca8f4ac5922b69189e95367c2022-12-21T23:08:47ZengYale UniversityBritish Art Studies2058-54622021-11-012110.17658/issn.2058-5462/issue-21/cmaxwell“In Sparkling Company”: Presenting Eighteenth-Century Britain in Western New York StateChristopher Maxwell0The Corning Museum of GlassIn May 2021, The Corning Museum of Glass, located in Western New York State, opened the exhibition “In Sparkling Company: Glass and the Costs of Social Life in Britain during the 1700s”. Its aim, through a lens of glass, was to introduce visitors to what it meant to be “modern” during the eighteenth century, and the social and economic costs of modernity both for the consumers and producers of luxury during this period. This feature considers the role of gallery design in engaging visitors with displays of often small-scale, colourless glass, while simultaneously supporting the exhibition’s narratives of technical innovation, design, and elite sociability against a backdrop of colonial expansion and exploitation.https://britishartstudies.ac.uk/issues/issue-index/issue-21/in-sparking-companyglasslead glassdecorative arts
spellingShingle Christopher Maxwell
“In Sparkling Company”: Presenting Eighteenth-Century Britain in Western New York State
British Art Studies
glass
lead glass
decorative arts
title “In Sparkling Company”: Presenting Eighteenth-Century Britain in Western New York State
title_full “In Sparkling Company”: Presenting Eighteenth-Century Britain in Western New York State
title_fullStr “In Sparkling Company”: Presenting Eighteenth-Century Britain in Western New York State
title_full_unstemmed “In Sparkling Company”: Presenting Eighteenth-Century Britain in Western New York State
title_short “In Sparkling Company”: Presenting Eighteenth-Century Britain in Western New York State
title_sort in sparkling company presenting eighteenth century britain in western new york state
topic glass
lead glass
decorative arts
url https://britishartstudies.ac.uk/issues/issue-index/issue-21/in-sparking-company
work_keys_str_mv AT christophermaxwell insparklingcompanypresentingeighteenthcenturybritaininwesternnewyorkstate