Tedium and Terror: Dreading Narration in Colson Whitehead’s Zone One

Critics of Colson Whitehead’s novel Zone One (2011) have treated its post-zombie-apocalypse setting as a futural standpoint for critiquing the present. This article argues that Whitehead equally deploys this setting as an allegory for the lived experience of historical and personal temporality in la...

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Main Author: Mark Pedretti
Format: Article
Language:English
Published: European Association for American Studies
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/19078
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author Mark Pedretti
author_facet Mark Pedretti
author_sort Mark Pedretti
collection DOAJ
description Critics of Colson Whitehead’s novel Zone One (2011) have treated its post-zombie-apocalypse setting as a futural standpoint for critiquing the present. This article argues that Whitehead equally deploys this setting as an allegory for the lived experience of historical and personal temporality in late capitalism. The fundamental quality of that lived experience is boredom, but in a particularly contemporary instantiation, which takes into account the endless bombardment of “events” in 24/7 networked time. Drawing upon and also revising Frank Kermode’s theory of narrative eschatology, I argue that Whitehead’s novel offers a form of boredom “after the end” predicated on dread, understood as a mix of tedium and terror. The article concludes by considering this form of dread as indicative of a postnarrative moment that calls for new forms of storytelling.
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spelling doaj.art-914610dd907f44da946a55d2d13013cf2024-02-14T13:19:14ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-933617410.4000/ejas.19078Tedium and Terror: Dreading Narration in Colson Whitehead’s Zone OneMark PedrettiCritics of Colson Whitehead’s novel Zone One (2011) have treated its post-zombie-apocalypse setting as a futural standpoint for critiquing the present. This article argues that Whitehead equally deploys this setting as an allegory for the lived experience of historical and personal temporality in late capitalism. The fundamental quality of that lived experience is boredom, but in a particularly contemporary instantiation, which takes into account the endless bombardment of “events” in 24/7 networked time. Drawing upon and also revising Frank Kermode’s theory of narrative eschatology, I argue that Whitehead’s novel offers a form of boredom “after the end” predicated on dread, understood as a mix of tedium and terror. The article concludes by considering this form of dread as indicative of a postnarrative moment that calls for new forms of storytelling.https://journals.openedition.org/ejas/19078apocalypsenarrativeboredomzombiesdread
spellingShingle Mark Pedretti
Tedium and Terror: Dreading Narration in Colson Whitehead’s Zone One
European Journal of American Studies
apocalypse
narrative
boredom
zombies
dread
title Tedium and Terror: Dreading Narration in Colson Whitehead’s Zone One
title_full Tedium and Terror: Dreading Narration in Colson Whitehead’s Zone One
title_fullStr Tedium and Terror: Dreading Narration in Colson Whitehead’s Zone One
title_full_unstemmed Tedium and Terror: Dreading Narration in Colson Whitehead’s Zone One
title_short Tedium and Terror: Dreading Narration in Colson Whitehead’s Zone One
title_sort tedium and terror dreading narration in colson whitehead s zone one
topic apocalypse
narrative
boredom
zombies
dread
url https://journals.openedition.org/ejas/19078
work_keys_str_mv AT markpedretti tediumandterrordreadingnarrationincolsonwhiteheadszoneone