Les prologues d’Iphigénie en Tauride, Hélène, Les Phéniciennes et Oreste : un adieu liminaire aux mythes ?
Euripides’ relation to mythology and its polyphony is being visibly questioned in the prologues of a group of plays dating from the end of his career: Iphigenia in Tauris, Helen, Phoenician Women and Orestes. In each, a female character sets out in a monologue the elements necessary for her own iden...
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| Format: | Article |
| Language: | fra |
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Presses universitaires du Midi
2019-12-01
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| Series: | Pallas |
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| Online Access: | http://journals.openedition.org/pallas/16475 |