GARİP KALDIM VATANIMDAN UZAKTA: KLASİK TÜRK ŞİİRİNDE ŞÂM-I GARÎBÂN

Poets of the classical Ottoman era incorporated into their poetry the characteristics of the society in which they lived, their way of life, and almost every object they encountered in their daily lives as a means to express their emotions and thoughts. Generally, the poets included common words, co...

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Main Author: Eda TOK
Format: Article
Language:deu
Published: Ankara Haci Bayram Veli University 2023-12-01
Series:Türk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi
Subjects:
Online Access:https://dergipark.org.tr/tr/download/article-file/3160841
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author Eda TOK
author_facet Eda TOK
author_sort Eda TOK
collection DOAJ
description Poets of the classical Ottoman era incorporated into their poetry the characteristics of the society in which they lived, their way of life, and almost every object they encountered in their daily lives as a means to express their emotions and thoughts. Generally, the poets included common words, concepts, and phrases in their poems. However, in addition to the basic meanings of the words and concepts, poets used the metaphorical and secondary meanings and connotations of these concepts in their poetry. “Şâm-ı garîbân” is one of the conspicuous concepts in terms of the meaning that divan poets attributed. “Şâm-ı garîbân” has various meanings; for Shiites, “şâm-ı garîbân” refers to the evening of the calamity that befell Imam Hussein and his companions. The evening of the tenth day of Muharram, when Imam Hussein was martyred and the Ahl al-Bayt were taken captive by the soldiers of Yezid, is also called “şâm-ı garîbân”. Additionally, this expression is used to denote the evening of the poor and destitute, who feel more distressed when the night falls. The basis of this study is the use of the expression “şâm-ı garîbân” in poetry. In order to originate the sample of our study; first, we have identified couplets where this expression is used by examining the diwans of poets. Before discussing the couplets, we will provide information from sources about the expression “şâm-ı garîbân”. We will then analyse all identified couplets and present selected examples to show the various meanings of the expression “şâm-ı garîbân” in classical Turkish poetry and to determine which meaning is more dominant in the poems. Therefore, it is tried to reveal what the concept of “şâm-ı garîbân” means and connotes in the rich world of classical Turkish poetry, and how frequently it is used.
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spelling doaj.art-918f4961ba9648cba95f0958b61ab5d32023-12-26T12:17:15ZdeuAnkara Haci Bayram Veli UniversityTürk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi1306-82532147-98952023-12-0110824525810.60163/hbv.108.013GARİP KALDIM VATANIMDAN UZAKTA: KLASİK TÜRK ŞİİRİNDE ŞÂM-I GARÎBÂNEda TOK 0https://orcid.org/0000-0002-9939-0154DÜZCE ÜNİVERSİTESİPoets of the classical Ottoman era incorporated into their poetry the characteristics of the society in which they lived, their way of life, and almost every object they encountered in their daily lives as a means to express their emotions and thoughts. Generally, the poets included common words, concepts, and phrases in their poems. However, in addition to the basic meanings of the words and concepts, poets used the metaphorical and secondary meanings and connotations of these concepts in their poetry. “Şâm-ı garîbân” is one of the conspicuous concepts in terms of the meaning that divan poets attributed. “Şâm-ı garîbân” has various meanings; for Shiites, “şâm-ı garîbân” refers to the evening of the calamity that befell Imam Hussein and his companions. The evening of the tenth day of Muharram, when Imam Hussein was martyred and the Ahl al-Bayt were taken captive by the soldiers of Yezid, is also called “şâm-ı garîbân”. Additionally, this expression is used to denote the evening of the poor and destitute, who feel more distressed when the night falls. The basis of this study is the use of the expression “şâm-ı garîbân” in poetry. In order to originate the sample of our study; first, we have identified couplets where this expression is used by examining the diwans of poets. Before discussing the couplets, we will provide information from sources about the expression “şâm-ı garîbân”. We will then analyse all identified couplets and present selected examples to show the various meanings of the expression “şâm-ı garîbân” in classical Turkish poetry and to determine which meaning is more dominant in the poems. Therefore, it is tried to reveal what the concept of “şâm-ı garîbân” means and connotes in the rich world of classical Turkish poetry, and how frequently it is used.https://dergipark.org.tr/tr/download/article-file/3160841klasik türk şiiridivanşairşâm-ı garibân.
spellingShingle Eda TOK
GARİP KALDIM VATANIMDAN UZAKTA: KLASİK TÜRK ŞİİRİNDE ŞÂM-I GARÎBÂN
Türk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi
klasik türk şiiri
divan
şair
şâm-ı garibân.
title GARİP KALDIM VATANIMDAN UZAKTA: KLASİK TÜRK ŞİİRİNDE ŞÂM-I GARÎBÂN
title_full GARİP KALDIM VATANIMDAN UZAKTA: KLASİK TÜRK ŞİİRİNDE ŞÂM-I GARÎBÂN
title_fullStr GARİP KALDIM VATANIMDAN UZAKTA: KLASİK TÜRK ŞİİRİNDE ŞÂM-I GARÎBÂN
title_full_unstemmed GARİP KALDIM VATANIMDAN UZAKTA: KLASİK TÜRK ŞİİRİNDE ŞÂM-I GARÎBÂN
title_short GARİP KALDIM VATANIMDAN UZAKTA: KLASİK TÜRK ŞİİRİNDE ŞÂM-I GARÎBÂN
title_sort garip kaldim vatanimdan uzakta klasik turk siirinde sam i gariban
topic klasik türk şiiri
divan
şair
şâm-ı garibân.
url https://dergipark.org.tr/tr/download/article-file/3160841
work_keys_str_mv AT edatok garipkaldimvatanimdanuzaktaklasikturksiirindesamigariban