MEREFLEKSIKAN SEJARAH BURUH PETIK PERKEBUNAN TEH MELALUI KOREOGRAFI “SANG PEMETIKâ€

Pickers in a tea plantation present an interesting phenomenon, not only from a historical perspective but also from the point ofview of their anatomical experiences. Their hand movements are very fast, as though they are dancing on top of the tea leaves,and these movements are supported by formation...

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Main Author: Sherly Novalinda
Format: Article
Language:Indonesian
Published: Institut Seni Indonesia Surakarta 2016-02-01
Series:Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni
Online Access:https://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/1113
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author Sherly Novalinda
author_facet Sherly Novalinda
author_sort Sherly Novalinda
collection DOAJ
description Pickers in a tea plantation present an interesting phenomenon, not only from a historical perspective but also from the point ofview of their anatomical experiences. Their hand movements are very fast, as though they are dancing on top of the tea leaves,and these movements are supported by formations that they unconsciously make in the wide expanse of the tea plantation.Based on a close observation of the tea pickers in Kayu Aro, Kerinci, Jambi, a new choreography entitled “Sang Pemetik†(ThePicker) was created, with the aim of reflecting on the history and daily experiences of the tea pickers. Using a ParticipatoryAction Research method, or PAR, the dance “Sang Pemetik†aims to make a statement that tea picking is a noble job and caneven provide inspiration for an attractive work of art. Keywords: Reflection, Tea Pickers, Choreography “Sang Pemetikâ€
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spelling doaj.art-91b0da46dc33417dbd520c1ddfa283872022-12-21T21:34:22ZindInstitut Seni Indonesia SurakartaDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni1412-41812685-287X2016-02-018210.33153/dewaruci.v8i2.11131101MEREFLEKSIKAN SEJARAH BURUH PETIK PERKEBUNAN TEH MELALUI KOREOGRAFI “SANG PEMETIKâ€Sherly NovalindaPickers in a tea plantation present an interesting phenomenon, not only from a historical perspective but also from the point ofview of their anatomical experiences. Their hand movements are very fast, as though they are dancing on top of the tea leaves,and these movements are supported by formations that they unconsciously make in the wide expanse of the tea plantation.Based on a close observation of the tea pickers in Kayu Aro, Kerinci, Jambi, a new choreography entitled “Sang Pemetik†(ThePicker) was created, with the aim of reflecting on the history and daily experiences of the tea pickers. Using a ParticipatoryAction Research method, or PAR, the dance “Sang Pemetik†aims to make a statement that tea picking is a noble job and caneven provide inspiration for an attractive work of art. Keywords: Reflection, Tea Pickers, Choreography “Sang Pemetikâ€https://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/1113
spellingShingle Sherly Novalinda
MEREFLEKSIKAN SEJARAH BURUH PETIK PERKEBUNAN TEH MELALUI KOREOGRAFI “SANG PEMETIKâ€
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni
title MEREFLEKSIKAN SEJARAH BURUH PETIK PERKEBUNAN TEH MELALUI KOREOGRAFI “SANG PEMETIKâ€
title_full MEREFLEKSIKAN SEJARAH BURUH PETIK PERKEBUNAN TEH MELALUI KOREOGRAFI “SANG PEMETIKâ€
title_fullStr MEREFLEKSIKAN SEJARAH BURUH PETIK PERKEBUNAN TEH MELALUI KOREOGRAFI “SANG PEMETIKâ€
title_full_unstemmed MEREFLEKSIKAN SEJARAH BURUH PETIK PERKEBUNAN TEH MELALUI KOREOGRAFI “SANG PEMETIKâ€
title_short MEREFLEKSIKAN SEJARAH BURUH PETIK PERKEBUNAN TEH MELALUI KOREOGRAFI “SANG PEMETIKâ€
title_sort merefleksikan sejarah buruh petik perkebunan teh melalui koreografi a€oesang pemetika€
url https://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/1113
work_keys_str_mv AT sherlynovalinda merefleksikansejarahburuhpetikperkebunantehmelaluikoreografiaœsangpemetika