Matei Vișniec, l’homme qui voulait être un oiseau…
In the uncertain space of contemporary theater, at the borderline of failures and successive disappointments we have to situate the plays of a writer as Matei Vișniec, born in Romania and living in France since 1984, a writer who made the transition between two types of dramaturgy: from Aesopian lan...
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| Format: | Article |
| Language: | English |
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OpenEdition
2011-12-01
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| Series: | Recherches |
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| Online Access: | http://journals.openedition.org/cher/12919 |
| Summary: | In the uncertain space of contemporary theater, at the borderline of failures and successive disappointments we have to situate the plays of a writer as Matei Vișniec, born in Romania and living in France since 1984, a writer who made the transition between two types of dramaturgy: from Aesopian language and the strategies of cunning, to create finally a theater linked to existential and poetical reflexion, without leaving the ground of political implications. |
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| ISSN: | 1968-035X 2803-5992 |