Matei Vișniec, l’homme qui voulait être un oiseau…
In the uncertain space of contemporary theater, at the borderline of failures and successive disappointments we have to situate the plays of a writer as Matei Vișniec, born in Romania and living in France since 1984, a writer who made the transition between two types of dramaturgy: from Aesopian lan...
| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
OpenEdition
2011-12-01
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| Series: | Recherches |
| Subjects: | |
| Online Access: | http://journals.openedition.org/cher/12919 |
| _version_ | 1828100466426249216 |
|---|---|
| author | Mirella Patureau |
| author_facet | Mirella Patureau |
| author_sort | Mirella Patureau |
| collection | DOAJ |
| description | In the uncertain space of contemporary theater, at the borderline of failures and successive disappointments we have to situate the plays of a writer as Matei Vișniec, born in Romania and living in France since 1984, a writer who made the transition between two types of dramaturgy: from Aesopian language and the strategies of cunning, to create finally a theater linked to existential and poetical reflexion, without leaving the ground of political implications. |
| first_indexed | 2024-04-11T08:30:12Z |
| format | Article |
| id | doaj.art-91ef87e21b224ad78d2da1f5d35dc0c3 |
| institution | Directory Open Access Journal |
| issn | 1968-035X 2803-5992 |
| language | English |
| last_indexed | 2024-04-11T08:30:12Z |
| publishDate | 2011-12-01 |
| publisher | OpenEdition |
| record_format | Article |
| series | Recherches |
| spelling | doaj.art-91ef87e21b224ad78d2da1f5d35dc0c32022-12-22T04:34:34ZengOpenEditionRecherches1968-035X2803-59922011-12-01721322410.4000/cher.12919Matei Vișniec, l’homme qui voulait être un oiseau…Mirella PatureauIn the uncertain space of contemporary theater, at the borderline of failures and successive disappointments we have to situate the plays of a writer as Matei Vișniec, born in Romania and living in France since 1984, a writer who made the transition between two types of dramaturgy: from Aesopian language and the strategies of cunning, to create finally a theater linked to existential and poetical reflexion, without leaving the ground of political implications.http://journals.openedition.org/cher/12919contemporary theaterAesopian languageexistential reflexion |
| spellingShingle | Mirella Patureau Matei Vișniec, l’homme qui voulait être un oiseau… Recherches contemporary theater Aesopian language existential reflexion |
| title | Matei Vișniec, l’homme qui voulait être un oiseau… |
| title_full | Matei Vișniec, l’homme qui voulait être un oiseau… |
| title_fullStr | Matei Vișniec, l’homme qui voulait être un oiseau… |
| title_full_unstemmed | Matei Vișniec, l’homme qui voulait être un oiseau… |
| title_short | Matei Vișniec, l’homme qui voulait être un oiseau… |
| title_sort | matei visniec l homme qui voulait etre un oiseau |
| topic | contemporary theater Aesopian language existential reflexion |
| url | http://journals.openedition.org/cher/12919 |
| work_keys_str_mv | AT mirellapatureau mateivisnieclhommequivoulaitetreunoiseau |