Beyond Sonata Deformation: Liszt’s Symphonic Poem Tasso and the Concept of Two-Dimensional Sonata Form
The idea that musical form in Liszt’s orchestral music is mainly program-driven has loomed large in twentieth-century musicology. It undoubtedly originates with Liszt himself. In his seminal 1855 essay Berlioz und seine Harold-Symphonie- a thinly disguised apology for his own symphonic poems- Liszt...
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| Format: | Article |
| Language: | English |
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Columbia University Libraries
2008-09-01
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| Series: | Current Musicology |
| Online Access: | https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5141 |