The Effects of Pitch Manipulation on Male Ratings of Female Speakers and Their Voices

Vocal and facial cues typically co-occur in natural settings, and multisensory processing of voice and face relies on their synchronous presentation. Psychological research has examined various facial and vocal cues to attractiveness as well as to judgements of sexual dimorphism, health, and age. Ho...

Full description

Bibliographic Details
Main Authors: Christina Krumpholz, Cliodhna Quigley, Karsan Ameen, Christoph Reuter, Leonida Fusani, Helmut Leder
Format: Article
Language:English
Published: Frontiers Media S.A. 2022-07-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/articles/10.3389/fpsyg.2022.911854/full
_version_ 1811323161482887168
author Christina Krumpholz
Christina Krumpholz
Cliodhna Quigley
Cliodhna Quigley
Karsan Ameen
Christoph Reuter
Christoph Reuter
Leonida Fusani
Leonida Fusani
Leonida Fusani
Helmut Leder
Helmut Leder
author_facet Christina Krumpholz
Christina Krumpholz
Cliodhna Quigley
Cliodhna Quigley
Karsan Ameen
Christoph Reuter
Christoph Reuter
Leonida Fusani
Leonida Fusani
Leonida Fusani
Helmut Leder
Helmut Leder
author_sort Christina Krumpholz
collection DOAJ
description Vocal and facial cues typically co-occur in natural settings, and multisensory processing of voice and face relies on their synchronous presentation. Psychological research has examined various facial and vocal cues to attractiveness as well as to judgements of sexual dimorphism, health, and age. However, few studies have investigated the interaction of vocal and facial cues in attractiveness judgments under naturalistic conditions using dynamic, ecologically valid stimuli. Here, we used short videos or audio tracks of females speaking full sentences and used a manipulation of voice pitch to investigate cross-modal interactions of voice pitch on facial attractiveness and related ratings. Male participants had to rate attractiveness, femininity, age, and health of synchronized audio-video recordings or voices only, with either original or modified voice pitch. We expected audio stimuli with increased voice pitch to be rated as more attractive, more feminine, healthier, and younger. If auditory judgements cross-modally influence judgements of facial attributes, we additionally expected the voice pitch manipulation to affect ratings of audiovisual stimulus material. We tested 106 male participants in a within-subject design in two sessions. Analyses revealed that voice recordings with increased voice pitch were perceived to be more feminine and younger, but not more attractive or healthier. When coupled with video recordings, increased pitch lowered perceived age of faces, but did not significantly influence perceived attractiveness, femininity, or health. Our results suggest that our manipulation of voice pitch has a measurable impact on judgements of femininity and age, but does not measurably influence vocal and facial attractiveness in naturalistic conditions.
first_indexed 2024-04-13T13:49:08Z
format Article
id doaj.art-925371623cfe4d0399a0e7f158ecc713
institution Directory Open Access Journal
issn 1664-1078
language English
last_indexed 2024-04-13T13:49:08Z
publishDate 2022-07-01
publisher Frontiers Media S.A.
record_format Article
series Frontiers in Psychology
spelling doaj.art-925371623cfe4d0399a0e7f158ecc7132022-12-22T02:44:24ZengFrontiers Media S.A.Frontiers in Psychology1664-10782022-07-011310.3389/fpsyg.2022.911854911854The Effects of Pitch Manipulation on Male Ratings of Female Speakers and Their VoicesChristina Krumpholz0Christina Krumpholz1Cliodhna Quigley2Cliodhna Quigley3Karsan Ameen4Christoph Reuter5Christoph Reuter6Leonida Fusani7Leonida Fusani8Leonida Fusani9Helmut Leder10Helmut Leder11Department of Cognition, Emotion, and Methods in Psychology, Faculty of Psychology, University of Vienna, Vienna, AustriaKonrad Lorenz Institute of Ethology, University of Veterinary Medicine, Vienna, AustriaDepartment of Behavioural and Cognitive Biology, University of Vienna, Vienna, AustriaVienna Cognitive Science Hub, University of Vienna, Vienna, AustriaDepartment of Cognition, Emotion, and Methods in Psychology, Faculty of Psychology, University of Vienna, Vienna, AustriaVienna Cognitive Science Hub, University of Vienna, Vienna, AustriaDepartment of Musicology, University of Vienna, Vienna, AustriaKonrad Lorenz Institute of Ethology, University of Veterinary Medicine, Vienna, AustriaDepartment of Behavioural and Cognitive Biology, University of Vienna, Vienna, AustriaVienna Cognitive Science Hub, University of Vienna, Vienna, AustriaDepartment of Cognition, Emotion, and Methods in Psychology, Faculty of Psychology, University of Vienna, Vienna, AustriaVienna Cognitive Science Hub, University of Vienna, Vienna, AustriaVocal and facial cues typically co-occur in natural settings, and multisensory processing of voice and face relies on their synchronous presentation. Psychological research has examined various facial and vocal cues to attractiveness as well as to judgements of sexual dimorphism, health, and age. However, few studies have investigated the interaction of vocal and facial cues in attractiveness judgments under naturalistic conditions using dynamic, ecologically valid stimuli. Here, we used short videos or audio tracks of females speaking full sentences and used a manipulation of voice pitch to investigate cross-modal interactions of voice pitch on facial attractiveness and related ratings. Male participants had to rate attractiveness, femininity, age, and health of synchronized audio-video recordings or voices only, with either original or modified voice pitch. We expected audio stimuli with increased voice pitch to be rated as more attractive, more feminine, healthier, and younger. If auditory judgements cross-modally influence judgements of facial attributes, we additionally expected the voice pitch manipulation to affect ratings of audiovisual stimulus material. We tested 106 male participants in a within-subject design in two sessions. Analyses revealed that voice recordings with increased voice pitch were perceived to be more feminine and younger, but not more attractive or healthier. When coupled with video recordings, increased pitch lowered perceived age of faces, but did not significantly influence perceived attractiveness, femininity, or health. Our results suggest that our manipulation of voice pitch has a measurable impact on judgements of femininity and age, but does not measurably influence vocal and facial attractiveness in naturalistic conditions.https://www.frontiersin.org/articles/10.3389/fpsyg.2022.911854/fullcross-modal attractivenessvoicesexual dimorphismfemininityhealthage
spellingShingle Christina Krumpholz
Christina Krumpholz
Cliodhna Quigley
Cliodhna Quigley
Karsan Ameen
Christoph Reuter
Christoph Reuter
Leonida Fusani
Leonida Fusani
Leonida Fusani
Helmut Leder
Helmut Leder
The Effects of Pitch Manipulation on Male Ratings of Female Speakers and Their Voices
Frontiers in Psychology
cross-modal attractiveness
voice
sexual dimorphism
femininity
health
age
title The Effects of Pitch Manipulation on Male Ratings of Female Speakers and Their Voices
title_full The Effects of Pitch Manipulation on Male Ratings of Female Speakers and Their Voices
title_fullStr The Effects of Pitch Manipulation on Male Ratings of Female Speakers and Their Voices
title_full_unstemmed The Effects of Pitch Manipulation on Male Ratings of Female Speakers and Their Voices
title_short The Effects of Pitch Manipulation on Male Ratings of Female Speakers and Their Voices
title_sort effects of pitch manipulation on male ratings of female speakers and their voices
topic cross-modal attractiveness
voice
sexual dimorphism
femininity
health
age
url https://www.frontiersin.org/articles/10.3389/fpsyg.2022.911854/full
work_keys_str_mv AT christinakrumpholz theeffectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT christinakrumpholz theeffectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT cliodhnaquigley theeffectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT cliodhnaquigley theeffectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT karsanameen theeffectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT christophreuter theeffectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT christophreuter theeffectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT leonidafusani theeffectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT leonidafusani theeffectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT leonidafusani theeffectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT helmutleder theeffectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT helmutleder theeffectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT christinakrumpholz effectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT christinakrumpholz effectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT cliodhnaquigley effectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT cliodhnaquigley effectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT karsanameen effectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT christophreuter effectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT christophreuter effectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT leonidafusani effectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT leonidafusani effectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT leonidafusani effectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT helmutleder effectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices
AT helmutleder effectsofpitchmanipulationonmaleratingsoffemalespeakersandtheirvoices