Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der Lyrik

This article discusses the idea of a specific lyric-theoretical power of language. Through Blumenberg’s pattern of the objet ambigu, it analyzes to what extent the performative charac­ter of the word can be seen as an ontological implication of its original linguistic potential. Through Agamben’s co...

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Main Author: Marcella Biasi
Format: Article
Language:deu
Published: Milano University Press 2015-11-01
Series:Studia theodisca
Online Access:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/6476
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author Marcella Biasi
author_facet Marcella Biasi
author_sort Marcella Biasi
collection DOAJ
description This article discusses the idea of a specific lyric-theoretical power of language. Through Blumenberg’s pattern of the objet ambigu, it analyzes to what extent the performative charac­ter of the word can be seen as an ontological implication of its original linguistic potential. Through Agamben’s concept of the apparatus, it considers the «dispositive» character of the native power of self-determination of the word in the context of absolute semantic ambi­guity. This is to clarify the sense in which the word, under precise conditions, is the au­thentic «power of the figure» and how the «apparatus»-concept allows a deeper understand­ing of poetry according to the paradigm of ambiguity.
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spelling doaj.art-92d04392334641e785f227928bfab5802023-09-02T22:49:16ZdeuMilano University PressStudia theodisca1593-24782385-29172015-11-012207910210.13130/1593-2478/64765762Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der LyrikMarcella Biasi0Independent Researcher, GermanyThis article discusses the idea of a specific lyric-theoretical power of language. Through Blumenberg’s pattern of the objet ambigu, it analyzes to what extent the performative charac­ter of the word can be seen as an ontological implication of its original linguistic potential. Through Agamben’s concept of the apparatus, it considers the «dispositive» character of the native power of self-determination of the word in the context of absolute semantic ambi­guity. This is to clarify the sense in which the word, under precise conditions, is the au­thentic «power of the figure» and how the «apparatus»-concept allows a deeper understand­ing of poetry according to the paradigm of ambiguity.https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/6476
spellingShingle Marcella Biasi
Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der Lyrik
Studia theodisca
title Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der Lyrik
title_full Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der Lyrik
title_fullStr Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der Lyrik
title_full_unstemmed Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der Lyrik
title_short Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der Lyrik
title_sort hans blumenbergs objet ambigu und giorgio agambens dispositiv kongruenz zweier poetologischer paradigmen in der sprache der lyrik
url https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/6476
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