Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der Lyrik
This article discusses the idea of a specific lyric-theoretical power of language. Through Blumenberg’s pattern of the objet ambigu, it analyzes to what extent the performative character of the word can be seen as an ontological implication of its original linguistic potential. Through Agamben’s co...
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Format: | Article |
Language: | deu |
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Milano University Press
2015-11-01
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Series: | Studia theodisca |
Online Access: | https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/6476 |
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author | Marcella Biasi |
author_facet | Marcella Biasi |
author_sort | Marcella Biasi |
collection | DOAJ |
description | This article discusses the idea of a specific lyric-theoretical power of language. Through Blumenberg’s pattern of the objet ambigu, it analyzes to what extent the performative character of the word can be seen as an ontological implication of its original linguistic potential. Through Agamben’s concept of the apparatus, it considers the «dispositive» character of the native power of self-determination of the word in the context of absolute semantic ambiguity. This is to clarify the sense in which the word, under precise conditions, is the authentic «power of the figure» and how the «apparatus»-concept allows a deeper understanding of poetry according to the paradigm of ambiguity. |
first_indexed | 2024-03-12T07:15:27Z |
format | Article |
id | doaj.art-92d04392334641e785f227928bfab580 |
institution | Directory Open Access Journal |
issn | 1593-2478 2385-2917 |
language | deu |
last_indexed | 2024-03-12T07:15:27Z |
publishDate | 2015-11-01 |
publisher | Milano University Press |
record_format | Article |
series | Studia theodisca |
spelling | doaj.art-92d04392334641e785f227928bfab5802023-09-02T22:49:16ZdeuMilano University PressStudia theodisca1593-24782385-29172015-11-012207910210.13130/1593-2478/64765762Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der LyrikMarcella Biasi0Independent Researcher, GermanyThis article discusses the idea of a specific lyric-theoretical power of language. Through Blumenberg’s pattern of the objet ambigu, it analyzes to what extent the performative character of the word can be seen as an ontological implication of its original linguistic potential. Through Agamben’s concept of the apparatus, it considers the «dispositive» character of the native power of self-determination of the word in the context of absolute semantic ambiguity. This is to clarify the sense in which the word, under precise conditions, is the authentic «power of the figure» and how the «apparatus»-concept allows a deeper understanding of poetry according to the paradigm of ambiguity.https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/6476 |
spellingShingle | Marcella Biasi Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der Lyrik Studia theodisca |
title | Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der Lyrik |
title_full | Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der Lyrik |
title_fullStr | Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der Lyrik |
title_full_unstemmed | Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der Lyrik |
title_short | Hans Blumenbergs “Objet ambigu” und Giorgio Agambens “Dispositiv”. Kongruenz zweier poetologischer Paradigmen in der Sprache der Lyrik |
title_sort | hans blumenbergs objet ambigu und giorgio agambens dispositiv kongruenz zweier poetologischer paradigmen in der sprache der lyrik |
url | https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/6476 |
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