The Troubles crime thriller and the future of films about Northern Ireland

Troubles-based crime thrillers were once a staple of Hollywood cinema in the 1990s. However, these types of films have become something of a subgenre of European crime films in the last few decades given that films produced over the period have all been produced and financed by either the United Kin...

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Main Author: Richard Gallagher
Format: Article
Language:English
Published: University College Cork 2022-03-01
Series:Alphaville: Journal of Film and Screen Media
Online Access:http://www.alphavillejournal.com/Issue22/HTML/ArticleGallagher.html
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author Richard Gallagher
author_facet Richard Gallagher
author_sort Richard Gallagher
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description Troubles-based crime thrillers were once a staple of Hollywood cinema in the 1990s. However, these types of films have become something of a subgenre of European crime films in the last few decades given that films produced over the period have all been produced and financed by either the United Kingdom, Ireland, France or Germany. Owing to both the financial and critical success of these films, relative to other types of films about Northern Ireland, and the more market-driven approach adopted by policymakers, the crime thriller genre has also become the primary way that audiences engage with cinema about Northern Ireland. Although some encouraging developments have come with this transition away from, at times, exploitative Hollywood-produced films, continued reliance on genre in this new dispensation—specifically the crime thriller—is still a development that is not without problems. The type of films about the conflict produced today also contrasts significantly with those produced during the “first wave” of Irish cinema in the 1980s.
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spelling doaj.art-92fb7b4ad0de4386b8780af4a0c639152022-12-22T00:34:31ZengUniversity College CorkAlphaville: Journal of Film and Screen Media2009-40782022-03-0122425310.33178/alpha.22.03The Troubles crime thriller and the future of films about Northern IrelandRichard Gallagher0Queen’s University BelfastTroubles-based crime thrillers were once a staple of Hollywood cinema in the 1990s. However, these types of films have become something of a subgenre of European crime films in the last few decades given that films produced over the period have all been produced and financed by either the United Kingdom, Ireland, France or Germany. Owing to both the financial and critical success of these films, relative to other types of films about Northern Ireland, and the more market-driven approach adopted by policymakers, the crime thriller genre has also become the primary way that audiences engage with cinema about Northern Ireland. Although some encouraging developments have come with this transition away from, at times, exploitative Hollywood-produced films, continued reliance on genre in this new dispensation—specifically the crime thriller—is still a development that is not without problems. The type of films about the conflict produced today also contrasts significantly with those produced during the “first wave” of Irish cinema in the 1980s.http://www.alphavillejournal.com/Issue22/HTML/ArticleGallagher.html
spellingShingle Richard Gallagher
The Troubles crime thriller and the future of films about Northern Ireland
Alphaville: Journal of Film and Screen Media
title The Troubles crime thriller and the future of films about Northern Ireland
title_full The Troubles crime thriller and the future of films about Northern Ireland
title_fullStr The Troubles crime thriller and the future of films about Northern Ireland
title_full_unstemmed The Troubles crime thriller and the future of films about Northern Ireland
title_short The Troubles crime thriller and the future of films about Northern Ireland
title_sort troubles crime thriller and the future of films about northern ireland
url http://www.alphavillejournal.com/Issue22/HTML/ArticleGallagher.html
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