| Summary: | What would be the relationship between the rich historiography of ornament in the late nineteenth century and ornament’s ostensible eclipse from early twentieth-century building practice? Alina Payne’s From Ornament to Object retraces the gradual shift in interest from the endless stylistic iterations of architectural ornamentation in fin-de-siécle culture to the unornamented artifacts of architectural modernism and argues that such plain yet highly sculptural implements carry over architecture’s rhetorical function previously allotted to ornamentation. While Payne’s “genealogy” is based on a carefully crafted polarity, this review-essay underscores the implicit analogies and correspondences between ornament and object and demonstrates how Payne’s intricate historical design corroborates that ornament is an object, a highly privileged but also an enigmatic one, whose loss and periodic recovery replicate the negative dialectics between art historiography and design practice.
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