Towards La Charte de l’Habitat: Jane Drew pioneering a ‘more humane architecture’ in Chandigarh

In the post-war 1950s, the severe housing crisis triggered crucial reforms within the architectural field. The Modern Movement’s old guard, revisiting previous principles and tools, was questioned by an uprising avant-garde pursuing a more humane architecture. The C.I.A.M.s witnessed new paradigms t...

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Main Author: Inês Leonor Nunes
Format: Article
Language:English
Published: DINÂMIA’CET – IUL, Centre for Socioeconomic and Territorial Studies 2023-12-01
Series:Cidades, Comunidades e Território
Subjects:
Online Access:http://journals.openedition.org/cidades/7808
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author Inês Leonor Nunes
author_facet Inês Leonor Nunes
author_sort Inês Leonor Nunes
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description In the post-war 1950s, the severe housing crisis triggered crucial reforms within the architectural field. The Modern Movement’s old guard, revisiting previous principles and tools, was questioned by an uprising avant-garde pursuing a more humane architecture. The C.I.A.M.s witnessed new paradigms towards housing and city, particularly the Aix-en-Provence Congress, entitled La Charte de l’Habitat. Despite this scission, bridges prevailed. Although being co-authored by the ‘elders’, Chandigarh’s masterplan, especially its inceptive Sector 22 layout, was planned by Jane Drew as a habitat. Containing the major daily programs, the coexistence of functions within the ecosystem challenged La Charte d'Athènes-based discourses. For the lowest ranks, Drew excelled, designing Peons’ Villages: humane microhabitats, communities combining housing, infrastructure, leisure, and green spaces near the collective equipment, transport, and communications networks serving Sector 22 macrohabitat. Indeed, notwithstanding a solid modernist affiliation, Drew was already pioneering a ground-breaking anthropological approach to design since working in West Africa. Attentive to the local culture and focused on future users’ practical needs and spiritual aspirations, Drew led participatory methodologies that superseded functionalism, notably preceding and framing later debates towards “habitat”. Based on the consultation of Drew’s unpublished archives and on my field trip to Chandigarh, I aim to highpoint Drew’s socially engaged discourses, suggesting her innovative contribution to a redirection within Modernism, framed by the discussion around the concept of “habitat”. The goal of the paper is to position a new light on Drew’s still-overlooked legacy, especially in her sensibly envisioned Chandigarh habitats, sharing how lively and preserved they are, seven decades later.
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spelling doaj.art-9317519628c94ce9b115a7567dd1e04f2024-01-09T15:18:32ZengDINÂMIA’CET – IUL, Centre for Socioeconomic and Territorial StudiesCidades, Comunidades e Território2182-30302023-12-0147Towards La Charte de l’Habitat: Jane Drew pioneering a ‘more humane architecture’ in ChandigarhInês Leonor NunesIn the post-war 1950s, the severe housing crisis triggered crucial reforms within the architectural field. The Modern Movement’s old guard, revisiting previous principles and tools, was questioned by an uprising avant-garde pursuing a more humane architecture. The C.I.A.M.s witnessed new paradigms towards housing and city, particularly the Aix-en-Provence Congress, entitled La Charte de l’Habitat. Despite this scission, bridges prevailed. Although being co-authored by the ‘elders’, Chandigarh’s masterplan, especially its inceptive Sector 22 layout, was planned by Jane Drew as a habitat. Containing the major daily programs, the coexistence of functions within the ecosystem challenged La Charte d'Athènes-based discourses. For the lowest ranks, Drew excelled, designing Peons’ Villages: humane microhabitats, communities combining housing, infrastructure, leisure, and green spaces near the collective equipment, transport, and communications networks serving Sector 22 macrohabitat. Indeed, notwithstanding a solid modernist affiliation, Drew was already pioneering a ground-breaking anthropological approach to design since working in West Africa. Attentive to the local culture and focused on future users’ practical needs and spiritual aspirations, Drew led participatory methodologies that superseded functionalism, notably preceding and framing later debates towards “habitat”. Based on the consultation of Drew’s unpublished archives and on my field trip to Chandigarh, I aim to highpoint Drew’s socially engaged discourses, suggesting her innovative contribution to a redirection within Modernism, framed by the discussion around the concept of “habitat”. The goal of the paper is to position a new light on Drew’s still-overlooked legacy, especially in her sensibly envisioned Chandigarh habitats, sharing how lively and preserved they are, seven decades later.http://journals.openedition.org/cidades/7808Jane DrewChandigarhsocially engaged architectureSouth AsiaCharter of Habitat
spellingShingle Inês Leonor Nunes
Towards La Charte de l’Habitat: Jane Drew pioneering a ‘more humane architecture’ in Chandigarh
Cidades, Comunidades e Território
Jane Drew
Chandigarh
socially engaged architecture
South Asia
Charter of Habitat
title Towards La Charte de l’Habitat: Jane Drew pioneering a ‘more humane architecture’ in Chandigarh
title_full Towards La Charte de l’Habitat: Jane Drew pioneering a ‘more humane architecture’ in Chandigarh
title_fullStr Towards La Charte de l’Habitat: Jane Drew pioneering a ‘more humane architecture’ in Chandigarh
title_full_unstemmed Towards La Charte de l’Habitat: Jane Drew pioneering a ‘more humane architecture’ in Chandigarh
title_short Towards La Charte de l’Habitat: Jane Drew pioneering a ‘more humane architecture’ in Chandigarh
title_sort towards la charte de l habitat jane drew pioneering a more humane architecture in chandigarh
topic Jane Drew
Chandigarh
socially engaged architecture
South Asia
Charter of Habitat
url http://journals.openedition.org/cidades/7808
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