| Summary: | This article deals with the publication and reading of digitized comic books through the interface of the Izneo platform. Olivier Stucky questions the functioning and ambitions of such online platforms that offer the public an experience of reading an album, originally printed, on a plurality of screen formats (computer, smartphone, touch tablet, etc.). By proceeding to a historical contextualization of the emergence of this platform and then by proposing the description and the analysis of the various forms of display allowing to visualize the contents of a digitized album on various screens, the author intends to replace the material implications of the supports at the center of the reflection on the digital forms of comics.
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