Aesthetics of recognition in contemporary religious art

AbstractThis paper presents the aesthetics of recognition as the most appropriate approach for discerning the religious potentiality (of a Christian nature) in a significant part of contemporary art. To do so, it is necessary to understand the mechanisms, functions, and forms of recognition, to dist...

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Main Authors: Guillermo Gómez-Ferrer, Catalina Martín Lloris
Format: Article
Language:English
Published: Taylor & Francis Group 2023-07-01
Series:Church, Communication and Culture
Subjects:
Online Access:https://www.tandfonline.com/doi/10.1080/23753234.2023.2248191
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author Guillermo Gómez-Ferrer
Catalina Martín Lloris
author_facet Guillermo Gómez-Ferrer
Catalina Martín Lloris
author_sort Guillermo Gómez-Ferrer
collection DOAJ
description AbstractThis paper presents the aesthetics of recognition as the most appropriate approach for discerning the religious potentiality (of a Christian nature) in a significant part of contemporary art. To do so, it is necessary to understand the mechanisms, functions, and forms of recognition, to distinguish between profane, sacred, and religious art, to critically analyze the aesthetic model of the Catholic Church rooted in the concept of Neoplatonic beauty, and to propose an alternative procedure. The alternative procedure serves two purposes: first, to reveal the religious aspect of a substantial segment of contemporary culture that has been largely overlooked; and second, to prevent the confusion that arises from the inclusion of religious works in churches and liturgies, giving the impression that they are sacred. Such confusion is widespread and detrimental to the sacramental experience of faith.
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spelling doaj.art-936c1f41dfef4315aa7b26595bcc05b62024-04-03T10:24:39ZengTaylor & Francis GroupChurch, Communication and Culture2375-32342375-32422023-07-018222724710.1080/23753234.2023.2248191Aesthetics of recognition in contemporary religious artGuillermo Gómez-Ferrer0Catalina Martín Lloris1Universidad Católica de Valencia San Vicente Mártir, Valencia, SpainUniversidad Católica de Valencia San Vicente Mártir, Valencia, SpainAbstractThis paper presents the aesthetics of recognition as the most appropriate approach for discerning the religious potentiality (of a Christian nature) in a significant part of contemporary art. To do so, it is necessary to understand the mechanisms, functions, and forms of recognition, to distinguish between profane, sacred, and religious art, to critically analyze the aesthetic model of the Catholic Church rooted in the concept of Neoplatonic beauty, and to propose an alternative procedure. The alternative procedure serves two purposes: first, to reveal the religious aspect of a substantial segment of contemporary culture that has been largely overlooked; and second, to prevent the confusion that arises from the inclusion of religious works in churches and liturgies, giving the impression that they are sacred. Such confusion is widespread and detrimental to the sacramental experience of faith.https://www.tandfonline.com/doi/10.1080/23753234.2023.2248191Aestheticsreligious artsacred artbeautyrecognitioncontemporary art
spellingShingle Guillermo Gómez-Ferrer
Catalina Martín Lloris
Aesthetics of recognition in contemporary religious art
Church, Communication and Culture
Aesthetics
religious art
sacred art
beauty
recognition
contemporary art
title Aesthetics of recognition in contemporary religious art
title_full Aesthetics of recognition in contemporary religious art
title_fullStr Aesthetics of recognition in contemporary religious art
title_full_unstemmed Aesthetics of recognition in contemporary religious art
title_short Aesthetics of recognition in contemporary religious art
title_sort aesthetics of recognition in contemporary religious art
topic Aesthetics
religious art
sacred art
beauty
recognition
contemporary art
url https://www.tandfonline.com/doi/10.1080/23753234.2023.2248191
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