Likeness and Icon: The Imperial Couples in Hagia Sophia

The two imperial panels in the south gallery of Hagia Sophia in Constantinople are exceptional as they are the only large-scale 11th- and 12th-century images of rulers preserved in the capital city. One depicts Zoe and Constantine Monomachos, the other John Komneos and Irene. The present article re...

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Main Author: Bente Killerich
Format: Article
Language:English
Published: University of Oslo Library 2017-12-01
Series:Acta ad Archaeologiam et Artium Historiam Pertinentia
Online Access:https://journals.uio.no/acta/article/view/5716
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author Bente Killerich
author_facet Bente Killerich
author_sort Bente Killerich
collection DOAJ
description The two imperial panels in the south gallery of Hagia Sophia in Constantinople are exceptional as they are the only large-scale 11th- and 12th-century images of rulers preserved in the capital city. One depicts Zoe and Constantine Monomachos, the other John Komneos and Irene. The present article reviews the mosaics mainly from the point of view of portraiture: how does the visual portrayal of imperial figures comply with the contemporary verbal description, foremost Michael Psellos’ descriptions of Zoe and her three husbands, and Anna Komnene’s portrayals in the Alexias. How did artists distinguish between imperial likeness and holy icon when portraying both within the same space? Another problem addressed is the refashioning of the Zoe panel.
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spelling doaj.art-939410c21ca1408c9f434ba141b56b132023-09-04T14:47:57ZengUniversity of Oslo LibraryActa ad Archaeologiam et Artium Historiam Pertinentia0065-09002611-36862017-12-01184 N.S.10.5617/acta.5716Likeness and Icon: The Imperial Couples in Hagia SophiaBente Killerich The two imperial panels in the south gallery of Hagia Sophia in Constantinople are exceptional as they are the only large-scale 11th- and 12th-century images of rulers preserved in the capital city. One depicts Zoe and Constantine Monomachos, the other John Komneos and Irene. The present article reviews the mosaics mainly from the point of view of portraiture: how does the visual portrayal of imperial figures comply with the contemporary verbal description, foremost Michael Psellos’ descriptions of Zoe and her three husbands, and Anna Komnene’s portrayals in the Alexias. How did artists distinguish between imperial likeness and holy icon when portraying both within the same space? Another problem addressed is the refashioning of the Zoe panel. https://journals.uio.no/acta/article/view/5716
spellingShingle Bente Killerich
Likeness and Icon: The Imperial Couples in Hagia Sophia
Acta ad Archaeologiam et Artium Historiam Pertinentia
title Likeness and Icon: The Imperial Couples in Hagia Sophia
title_full Likeness and Icon: The Imperial Couples in Hagia Sophia
title_fullStr Likeness and Icon: The Imperial Couples in Hagia Sophia
title_full_unstemmed Likeness and Icon: The Imperial Couples in Hagia Sophia
title_short Likeness and Icon: The Imperial Couples in Hagia Sophia
title_sort likeness and icon the imperial couples in hagia sophia
url https://journals.uio.no/acta/article/view/5716
work_keys_str_mv AT bentekillerich likenessandicontheimperialcouplesinhagiasophia