Self-Betrayal or Self-Deception? The Case of Jackson Pollock

Clement Greenberg interpreted the rise of authentic modern art as a rejection of kitsch and “half-baked” religiosity and celebrated Jackson Pollock as representing what he called for. However, his presentation of Pollock as a leading modernist fails to do justice to his lifelong spiritual quest and...

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Main Author: Elizabeth L. Langhorne
Format: Article
Language:English
Published: MDPI AG 2023-03-01
Series:Arts
Subjects:
Online Access:https://www.mdpi.com/2076-0752/12/2/54
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author Elizabeth L. Langhorne
author_facet Elizabeth L. Langhorne
author_sort Elizabeth L. Langhorne
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description Clement Greenberg interpreted the rise of authentic modern art as a rejection of kitsch and “half-baked” religiosity and celebrated Jackson Pollock as representing what he called for. However, his presentation of Pollock as a leading modernist fails to do justice to his lifelong spiritual quest and to his desire to reach a broad public, which led him to open his art and person to the popular media of photography and film. Following Greenberg, Donald Kuspit would have us understand Pollock’s embrace of and by the public as a self-betrayal, transforming his great abstractions into decorative kitsch. Kuspit’s understanding of Pollock’s “true self”, however, cannot convince. His embrace of the public did lead Pollock to doubt his artistic enterprise: his dream of art as alchemy. But, the great abstractions testify to the power of that dream to create great art, challenging us to reconsider the relationship between authentic art and mass culture, of modernism, spirituality, and the public.
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spelling doaj.art-93a50fb53d87426ca0805d0db134af022023-11-17T18:15:34ZengMDPI AGArts2076-07522023-03-011225410.3390/arts12020054Self-Betrayal or Self-Deception? The Case of Jackson PollockElizabeth L. Langhorne0Department of Art, Central Connecticut State University, New Britain, CT 06050, USAClement Greenberg interpreted the rise of authentic modern art as a rejection of kitsch and “half-baked” religiosity and celebrated Jackson Pollock as representing what he called for. However, his presentation of Pollock as a leading modernist fails to do justice to his lifelong spiritual quest and to his desire to reach a broad public, which led him to open his art and person to the popular media of photography and film. Following Greenberg, Donald Kuspit would have us understand Pollock’s embrace of and by the public as a self-betrayal, transforming his great abstractions into decorative kitsch. Kuspit’s understanding of Pollock’s “true self”, however, cannot convince. His embrace of the public did lead Pollock to doubt his artistic enterprise: his dream of art as alchemy. But, the great abstractions testify to the power of that dream to create great art, challenging us to reconsider the relationship between authentic art and mass culture, of modernism, spirituality, and the public.https://www.mdpi.com/2076-0752/12/2/54Jackson Pollockkitschfilmmodernismalchemyspiritual quest
spellingShingle Elizabeth L. Langhorne
Self-Betrayal or Self-Deception? The Case of Jackson Pollock
Arts
Jackson Pollock
kitsch
film
modernism
alchemy
spiritual quest
title Self-Betrayal or Self-Deception? The Case of Jackson Pollock
title_full Self-Betrayal or Self-Deception? The Case of Jackson Pollock
title_fullStr Self-Betrayal or Self-Deception? The Case of Jackson Pollock
title_full_unstemmed Self-Betrayal or Self-Deception? The Case of Jackson Pollock
title_short Self-Betrayal or Self-Deception? The Case of Jackson Pollock
title_sort self betrayal or self deception the case of jackson pollock
topic Jackson Pollock
kitsch
film
modernism
alchemy
spiritual quest
url https://www.mdpi.com/2076-0752/12/2/54
work_keys_str_mv AT elizabethllanghorne selfbetrayalorselfdeceptionthecaseofjacksonpollock