Du temps compté au temps vécu à l’époque baroque

The archetypal Oedipal conflict of generations is immemorial: latent with the pandemic and the controversy about who gets priority for vaccination (the old over the young), it becomes obvious at the turn of the 16th and 17th centuries, when the discovery of the New World made ours the Old, thus mate...

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Main Author: Benito Pelegrín
Format: Article
Language:English
Published: OpenEdition 2021-11-01
Series:Recherches
Subjects:
Online Access:http://journals.openedition.org/cher/4279
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author Benito Pelegrín
author_facet Benito Pelegrín
author_sort Benito Pelegrín
collection DOAJ
description The archetypal Oedipal conflict of generations is immemorial: latent with the pandemic and the controversy about who gets priority for vaccination (the old over the young), it becomes obvious at the turn of the 16th and 17th centuries, when the discovery of the New World made ours the Old, thus materializing and metaphorizing, in the whole of the arts and society, pairs of opposites realized as antitheses: new vs. revolved, modern vs. outmoded. Claiming invention and novelty against the old order, this Baroque cult of the new implies a new culture of time: from science to consciousness, the progressive improvements of the mirror and the clock giving a new perception of the self, from counted time to measured time, to be lived, and of an age that can be seen in a personal reflection: the fashion for self-portraits allows a distressing or consoling comparison with others. But the feeling of age transmits to youth the injustice of a patriarchal society where the greybeards reign, masters of power and fortune: the rivalry of father and son, antagonism between young and old, a certain vision of and an aversion for the elderly, a “youthism” that Rousseau will denounce at the twilight of the Baroque: archaeology of our modernity.
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spelling doaj.art-93a6f1ba06ca4317a338adc8937a0b4f2022-12-22T03:29:37ZengOpenEditionRecherches1968-035X2803-59922021-11-0127819610.4000/cher.4279Du temps compté au temps vécu à l’époque baroqueBenito PelegrínThe archetypal Oedipal conflict of generations is immemorial: latent with the pandemic and the controversy about who gets priority for vaccination (the old over the young), it becomes obvious at the turn of the 16th and 17th centuries, when the discovery of the New World made ours the Old, thus materializing and metaphorizing, in the whole of the arts and society, pairs of opposites realized as antitheses: new vs. revolved, modern vs. outmoded. Claiming invention and novelty against the old order, this Baroque cult of the new implies a new culture of time: from science to consciousness, the progressive improvements of the mirror and the clock giving a new perception of the self, from counted time to measured time, to be lived, and of an age that can be seen in a personal reflection: the fashion for self-portraits allows a distressing or consoling comparison with others. But the feeling of age transmits to youth the injustice of a patriarchal society where the greybeards reign, masters of power and fortune: the rivalry of father and son, antagonism between young and old, a certain vision of and an aversion for the elderly, a “youthism” that Rousseau will denounce at the twilight of the Baroque: archaeology of our modernity.http://journals.openedition.org/cher/4279Baroquemirrorclocknewmodernyoung
spellingShingle Benito Pelegrín
Du temps compté au temps vécu à l’époque baroque
Recherches
Baroque
mirror
clock
new
modern
young
title Du temps compté au temps vécu à l’époque baroque
title_full Du temps compté au temps vécu à l’époque baroque
title_fullStr Du temps compté au temps vécu à l’époque baroque
title_full_unstemmed Du temps compté au temps vécu à l’époque baroque
title_short Du temps compté au temps vécu à l’époque baroque
title_sort du temps compte au temps vecu a l epoque baroque
topic Baroque
mirror
clock
new
modern
young
url http://journals.openedition.org/cher/4279
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