Contextual Semantics of the Title of Michail Shishkin’s Novel “The Capture of Izmail”
The article deals with the interconnections between the title and context of Michail Shishkin’s novel “The Capture of Izmail”. Such concepts as “chronotopos”, “truth”, “time”, “moment of time” and “historical trauma” are examined in interrelation, too. A precedent text, “The Capture of Izmail” is lo...
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| Format: | Article |
| Language: | English |
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Vilnius University
2016-10-01
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| Series: | Respectus Philologicus |
| Subjects: | |
| Online Access: | http://www.zurnalai.vu.lt/respectus-philologicus/article/view/13580 |
| _version_ | 1817978250286071808 |
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| author | Eleonora Shafranskaya |
| author_facet | Eleonora Shafranskaya |
| author_sort | Eleonora Shafranskaya |
| collection | DOAJ |
| description | The article deals with the interconnections between the title and context of Michail Shishkin’s novel “The Capture of Izmail”. Such concepts as “chronotopos”, “truth”, “time”, “moment of time” and “historical trauma” are examined in interrelation, too. A precedent text, “The Capture of Izmail” is looked upon symbolically, like a huge historical deception. Instead of relying on well-known historical landmarks or widely reported cataclysms, Shishkin puts forward a new set of patterns; citing A. Etkind, this is “not a history of events, but a history of humans and texts in their mutual interaction”, – that is, an approach qualified in American literary theory as the new historicism.
In the novel’s context, the fact of Izmail’s capture designates a new vector of history understanding, both private and common. When a photographer uses cliché “Say cheese!”, the person is supposed to smile, and this alleged smile appears as a symbol of falsehood which became a norm both in society and in history. According to Shishkin, time should be counted by its moments consisting of personal facts, names and places. Perhaps, that is the way to get rid of historical traumas and, applying Etkind’s metaphor about “the crooked grief”, to straighten it so that the grief would be merged into a “solid state”. Russia, Shishkin seems to believe, stands in need to apply this very approach to history understanding. |
| first_indexed | 2024-04-13T22:26:58Z |
| format | Article |
| id | doaj.art-93b079cefff34472835ff6bfc4e6ec7b |
| institution | Directory Open Access Journal |
| issn | 1392-8295 2335-2388 |
| language | English |
| last_indexed | 2024-04-13T22:26:58Z |
| publishDate | 2016-10-01 |
| publisher | Vilnius University |
| record_format | Article |
| series | Respectus Philologicus |
| spelling | doaj.art-93b079cefff34472835ff6bfc4e6ec7b2022-12-22T02:27:02ZengVilnius UniversityRespectus Philologicus1392-82952335-23882016-10-01303510.15388/RESPECTUS.2016.30.35.06Contextual Semantics of the Title of Michail Shishkin’s Novel “The Capture of Izmail”Eleonora Shafranskaya0The Moscow City Teacher’s Training University, Russian FederationThe article deals with the interconnections between the title and context of Michail Shishkin’s novel “The Capture of Izmail”. Such concepts as “chronotopos”, “truth”, “time”, “moment of time” and “historical trauma” are examined in interrelation, too. A precedent text, “The Capture of Izmail” is looked upon symbolically, like a huge historical deception. Instead of relying on well-known historical landmarks or widely reported cataclysms, Shishkin puts forward a new set of patterns; citing A. Etkind, this is “not a history of events, but a history of humans and texts in their mutual interaction”, – that is, an approach qualified in American literary theory as the new historicism. In the novel’s context, the fact of Izmail’s capture designates a new vector of history understanding, both private and common. When a photographer uses cliché “Say cheese!”, the person is supposed to smile, and this alleged smile appears as a symbol of falsehood which became a norm both in society and in history. According to Shishkin, time should be counted by its moments consisting of personal facts, names and places. Perhaps, that is the way to get rid of historical traumas and, applying Etkind’s metaphor about “the crooked grief”, to straighten it so that the grief would be merged into a “solid state”. Russia, Shishkin seems to believe, stands in need to apply this very approach to history understanding.http://www.zurnalai.vu.lt/respectus-philologicus/article/view/13580Mikhail Shishkinnovel “The Capture of Izmail”timemoment of timehistorical trauma |
| spellingShingle | Eleonora Shafranskaya Contextual Semantics of the Title of Michail Shishkin’s Novel “The Capture of Izmail” Respectus Philologicus Mikhail Shishkin novel “The Capture of Izmail” time moment of time historical trauma |
| title | Contextual Semantics of the Title of Michail Shishkin’s Novel “The Capture of Izmail” |
| title_full | Contextual Semantics of the Title of Michail Shishkin’s Novel “The Capture of Izmail” |
| title_fullStr | Contextual Semantics of the Title of Michail Shishkin’s Novel “The Capture of Izmail” |
| title_full_unstemmed | Contextual Semantics of the Title of Michail Shishkin’s Novel “The Capture of Izmail” |
| title_short | Contextual Semantics of the Title of Michail Shishkin’s Novel “The Capture of Izmail” |
| title_sort | contextual semantics of the title of michail shishkin s novel the capture of izmail |
| topic | Mikhail Shishkin novel “The Capture of Izmail” time moment of time historical trauma |
| url | http://www.zurnalai.vu.lt/respectus-philologicus/article/view/13580 |
| work_keys_str_mv | AT eleonorashafranskaya contextualsemanticsofthetitleofmichailshishkinsnovelthecaptureofizmail |