Demonic transcendence. The Faustian motif in Stanley Kubrick’s The Shining

The interrelationship between literature and cinema is usually reduced merely to the connection between a book and its screen adaptation. Thus, a great many of the viewers of Stanley Kubrick’s The Shining would analyze its relation and fidelity to Stephen King’s novel. The reasoning presented in thi...

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Main Author: Kamil Kościelski
Format: Article
Language:Polish
Published: Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu 2013-01-01
Series:Przestrzenie Teorii
Subjects:
Online Access:http://pressto.amu.edu.pl/index.php/pt/article/view/3332
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author Kamil Kościelski
author_facet Kamil Kościelski
author_sort Kamil Kościelski
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description The interrelationship between literature and cinema is usually reduced merely to the connection between a book and its screen adaptation. Thus, a great many of the viewers of Stanley Kubrick’s The Shining would analyze its relation and fidelity to Stephen King’s novel. The reasoning presented in this essay stands in opposition to this tendency because various minor details of a movie may refer to other literary texts as well. In addition, a link to other works of art is often more meaningful and relevant than a reference to a book which was the basis of an adaptation. Therefore, it can be demonstrated that Kubrick alludes to Johann Wolfgang’s Faust in a variety of ways in The Shining. The comparison of the movie’s protagonist with the eponymous character of the play makes it easier to comprehend the cinematic character’s complex personality. This explains the content of The Shining even though the plot is based upon another literary text.
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spelling doaj.art-93bcce095d074b4c861964235d4b4b552022-12-21T22:46:40ZpolWydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w PoznaniuPrzestrzenie Teorii1644-67632450-57652013-01-011915317010.14746/pt.2013.19.103303Demonic transcendence. The Faustian motif in Stanley Kubrick’s The ShiningKamil KościelskiThe interrelationship between literature and cinema is usually reduced merely to the connection between a book and its screen adaptation. Thus, a great many of the viewers of Stanley Kubrick’s The Shining would analyze its relation and fidelity to Stephen King’s novel. The reasoning presented in this essay stands in opposition to this tendency because various minor details of a movie may refer to other literary texts as well. In addition, a link to other works of art is often more meaningful and relevant than a reference to a book which was the basis of an adaptation. Therefore, it can be demonstrated that Kubrick alludes to Johann Wolfgang’s Faust in a variety of ways in The Shining. The comparison of the movie’s protagonist with the eponymous character of the play makes it easier to comprehend the cinematic character’s complex personality. This explains the content of The Shining even though the plot is based upon another literary text.http://pressto.amu.edu.pl/index.php/pt/article/view/3332literaturafilmkinomotyw faustowskiStanley Kubrick
spellingShingle Kamil Kościelski
Demonic transcendence. The Faustian motif in Stanley Kubrick’s The Shining
Przestrzenie Teorii
literatura
film
kino
motyw faustowski
Stanley Kubrick
title Demonic transcendence. The Faustian motif in Stanley Kubrick’s The Shining
title_full Demonic transcendence. The Faustian motif in Stanley Kubrick’s The Shining
title_fullStr Demonic transcendence. The Faustian motif in Stanley Kubrick’s The Shining
title_full_unstemmed Demonic transcendence. The Faustian motif in Stanley Kubrick’s The Shining
title_short Demonic transcendence. The Faustian motif in Stanley Kubrick’s The Shining
title_sort demonic transcendence the faustian motif in stanley kubrick s the shining
topic literatura
film
kino
motyw faustowski
Stanley Kubrick
url http://pressto.amu.edu.pl/index.php/pt/article/view/3332
work_keys_str_mv AT kamilkoscielski demonictranscendencethefaustianmotifinstanleykubrickstheshining