Animating the Real: Illusions, Musicality and the Live Dancing Body

Animation film frequently uses dance and choreography as part of explicit scenes to help assist with and compliment the narrative. Although animators frequently acknowledge relationships between dance and animation, scarcely any scholarly work considers how animated film principles are used and appl...

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Main Author: Jo Read
Format: Article
Language:English
Published: The Ohio State University Libraries 2020-10-01
Series:The International Journal of Screendance
Subjects:
Online Access:https://screendancejournal.org/article/view/7100
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author Jo Read
author_facet Jo Read
author_sort Jo Read
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description Animation film frequently uses dance and choreography as part of explicit scenes to help assist with and compliment the narrative. Although animators frequently acknowledge relationships between dance and animation, scarcely any scholarly work considers how animated film principles are used and applied within live dance performances. Additionally, although many scholars discuss the relationship between live dance and music and similarly animation and music, rarely has the collision of all three been scrutinized. In this article, I draw upon principles from animation film and choreomusical scholarship to show a complex relationship between the real and the pretend in a solo street dance performance. Based on detailed movement analysis of a short solo dance performance by Isaac "Turbo" Baptiste, I discuss the ways that moving image can influence live dancing bodies and create endless possibilities for choreomusical play.
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spelling doaj.art-93d287957de7419b9d119378f663af5d2022-12-22T00:28:09ZengThe Ohio State University LibrariesThe International Journal of Screendance2154-68782020-10-0111010.18061/ijsd.v11i0.71004717Animating the Real: Illusions, Musicality and the Live Dancing BodyJo Read0University of East LondonAnimation film frequently uses dance and choreography as part of explicit scenes to help assist with and compliment the narrative. Although animators frequently acknowledge relationships between dance and animation, scarcely any scholarly work considers how animated film principles are used and applied within live dance performances. Additionally, although many scholars discuss the relationship between live dance and music and similarly animation and music, rarely has the collision of all three been scrutinized. In this article, I draw upon principles from animation film and choreomusical scholarship to show a complex relationship between the real and the pretend in a solo street dance performance. Based on detailed movement analysis of a short solo dance performance by Isaac "Turbo" Baptiste, I discuss the ways that moving image can influence live dancing bodies and create endless possibilities for choreomusical play.https://screendancejournal.org/article/view/7100isaac "turbo" baptistemusicalitychoreomusicalanimationstreet dancepopular dance
spellingShingle Jo Read
Animating the Real: Illusions, Musicality and the Live Dancing Body
The International Journal of Screendance
isaac "turbo" baptiste
musicality
choreomusical
animation
street dance
popular dance
title Animating the Real: Illusions, Musicality and the Live Dancing Body
title_full Animating the Real: Illusions, Musicality and the Live Dancing Body
title_fullStr Animating the Real: Illusions, Musicality and the Live Dancing Body
title_full_unstemmed Animating the Real: Illusions, Musicality and the Live Dancing Body
title_short Animating the Real: Illusions, Musicality and the Live Dancing Body
title_sort animating the real illusions musicality and the live dancing body
topic isaac "turbo" baptiste
musicality
choreomusical
animation
street dance
popular dance
url https://screendancejournal.org/article/view/7100
work_keys_str_mv AT joread animatingtherealillusionsmusicalityandthelivedancingbody