Observing the History of U.S. Foreign Cultural Policy Formation

U.S. popular culture was considered initially by American political establishment as a mean of entertainment rather than an instrument of foreign policy. Before the Cold War American politicians never seriously thought of creating a cultural institution in the federal government. The paradox is that...

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Bibliographic Details
Main Author: G Yu Filimonov
Format: Article
Language:English
Published: Peoples’ Friendship University of Russia (RUDN University) 2011-12-01
Series:Vestnik RUDN. International Relations
Subjects:
Online Access:http://journals.rudn.ru/international-relations/article/view/10699
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author G Yu Filimonov
author_facet G Yu Filimonov
author_sort G Yu Filimonov
collection DOAJ
description U.S. popular culture was considered initially by American political establishment as a mean of entertainment rather than an instrument of foreign policy. Before the Cold War American politicians never seriously thought of creating a cultural institution in the federal government. The paradox is that country where cultural export became later so large-scaled and caused a lot of controversy worldwide, originally demonstrated almost no interest in organized foreign cultural policy making. In the late 1930's and especially after World War II American political elite discovered and confirmed its view of culture as an effective tool of foreign policy, particularly at the ideological level (meanwhile the Soviet Union was leading in that confrontation for a long time - up to Gorbachev`s perestroika - outpacing the USA in production of soft power). Ideological dimension has always been and still remains an integral part of the U.S. foreign cultural policy.
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spelling doaj.art-94560e3cacd240239d9129823fea22cf2023-02-02T02:03:23ZengPeoples’ Friendship University of Russia (RUDN University)Vestnik RUDN. International Relations2313-06602313-06792011-12-0104899710698Observing the History of U.S. Foreign Cultural Policy FormationG Yu Filimonov0Российский университет дружбы народовU.S. popular culture was considered initially by American political establishment as a mean of entertainment rather than an instrument of foreign policy. Before the Cold War American politicians never seriously thought of creating a cultural institution in the federal government. The paradox is that country where cultural export became later so large-scaled and caused a lot of controversy worldwide, originally demonstrated almost no interest in organized foreign cultural policy making. In the late 1930's and especially after World War II American political elite discovered and confirmed its view of culture as an effective tool of foreign policy, particularly at the ideological level (meanwhile the Soviet Union was leading in that confrontation for a long time - up to Gorbachev`s perestroika - outpacing the USA in production of soft power). Ideological dimension has always been and still remains an integral part of the U.S. foreign cultural policy.http://journals.rudn.ru/international-relations/article/view/10699СШАисториявнешняя культурная политикапубличная дипломатияамериканская культура
spellingShingle G Yu Filimonov
Observing the History of U.S. Foreign Cultural Policy Formation
Vestnik RUDN. International Relations
США
история
внешняя культурная политика
публичная дипломатия
американская культура
title Observing the History of U.S. Foreign Cultural Policy Formation
title_full Observing the History of U.S. Foreign Cultural Policy Formation
title_fullStr Observing the History of U.S. Foreign Cultural Policy Formation
title_full_unstemmed Observing the History of U.S. Foreign Cultural Policy Formation
title_short Observing the History of U.S. Foreign Cultural Policy Formation
title_sort observing the history of u s foreign cultural policy formation
topic США
история
внешняя культурная политика
публичная дипломатия
американская культура
url http://journals.rudn.ru/international-relations/article/view/10699
work_keys_str_mv AT gyufilimonov observingthehistoryofusforeignculturalpolicyformation