The Gothic genre, classical allusion and other influences in Oscar Wilde’s The Picture of Dorian Gray

This article will outline the aspects of influence and allusion in the novel, with reference to Victorian Gothic, classical mythology, the psychological double, monster theory, the Faustian bargain, the mask and a prominent memento mori in Huysmans’ A Rebours, his description of Rodolphe Bresdin’s l...

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Main Author: David E. Robinson
Format: Article
Language:Afrikaans
Published: AOSIS 2021-02-01
Series:Literator
Subjects:
Online Access:https://literator.org.za/index.php/literator/article/view/1737
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author David E. Robinson
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description This article will outline the aspects of influence and allusion in the novel, with reference to Victorian Gothic, classical mythology, the psychological double, monster theory, the Faustian bargain, the mask and a prominent memento mori in Huysmans’ A Rebours, his description of Rodolphe Bresdin’s lithograph, ‘The Comedy of Death’. Wilde’s novel is a complex, multi-layered text, and a richer, more profound understanding of it becomes possible when it is situated within this context of influence and allusion.
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spelling doaj.art-945702f15db744bca315a5d65ef6a9dc2022-12-21T19:00:12ZafrAOSISLiterator0258-22792219-82372021-02-01421e1e710.4102/lit.v42i1.17371353The Gothic genre, classical allusion and other influences in Oscar Wilde’s The Picture of Dorian GrayDavid E. Robinson0Department of Education and Curriculum Studies, Faculty of Education, University of Johannesburg, JohannesburgThis article will outline the aspects of influence and allusion in the novel, with reference to Victorian Gothic, classical mythology, the psychological double, monster theory, the Faustian bargain, the mask and a prominent memento mori in Huysmans’ A Rebours, his description of Rodolphe Bresdin’s lithograph, ‘The Comedy of Death’. Wilde’s novel is a complex, multi-layered text, and a richer, more profound understanding of it becomes possible when it is situated within this context of influence and allusion.https://literator.org.za/index.php/literator/article/view/1737the picture of dorian grayoscar wildethe gothic genrethe victorian ageclassical allusionfreudthe doublemonster theoryjoris-karl huysmansrodolphe bresdin
spellingShingle David E. Robinson
The Gothic genre, classical allusion and other influences in Oscar Wilde’s The Picture of Dorian Gray
Literator
the picture of dorian gray
oscar wilde
the gothic genre
the victorian age
classical allusion
freud
the double
monster theory
joris-karl huysmans
rodolphe bresdin
title The Gothic genre, classical allusion and other influences in Oscar Wilde’s The Picture of Dorian Gray
title_full The Gothic genre, classical allusion and other influences in Oscar Wilde’s The Picture of Dorian Gray
title_fullStr The Gothic genre, classical allusion and other influences in Oscar Wilde’s The Picture of Dorian Gray
title_full_unstemmed The Gothic genre, classical allusion and other influences in Oscar Wilde’s The Picture of Dorian Gray
title_short The Gothic genre, classical allusion and other influences in Oscar Wilde’s The Picture of Dorian Gray
title_sort gothic genre classical allusion and other influences in oscar wilde s the picture of dorian gray
topic the picture of dorian gray
oscar wilde
the gothic genre
the victorian age
classical allusion
freud
the double
monster theory
joris-karl huysmans
rodolphe bresdin
url https://literator.org.za/index.php/literator/article/view/1737
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