Retracing the Gothic Romance: Instances of Transtextuality in Gaston Leroux’s Le fantôme de l’opéra and Alejandro Amenábar’s Abre los ojos

This article aims to offer a comparative analysis between Gaston Leroux’s novel Le fantôme de l’opéra (1910) and Alejandro Amenábar’s film Abre los ojos (1997) in which Amenábar’s film will be interpreted as a postmodern adaptation of Leroux’s original novel. This analysis will also identify those...

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Main Author: Marta Miquel Baldellou
Format: Article
Language:English
Published: Universidad de León 2023-12-01
Series:Estudios Humanísticos. Filología
Subjects:
Online Access:https://revpubli.unileon.es/index.php/EEHHFilologia/article/view/7706
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author Marta Miquel Baldellou
author_facet Marta Miquel Baldellou
author_sort Marta Miquel Baldellou
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description This article aims to offer a comparative analysis between Gaston Leroux’s novel Le fantôme de l’opéra (1910) and Alejandro Amenábar’s film Abre los ojos (1997) in which Amenábar’s film will be interpreted as a postmodern adaptation of Leroux’s original novel. This analysis will also identify those traits pertaining to the Gothic tradition and the nineteenth-century Gothic romance as reflected in Leroux’s modernist approach and reinterpreted in Amenábar’s postmodern film on the basis of the notion of transtextuality.
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spelling doaj.art-94785dfed77c4053adc148aad3c0e1e92023-12-27T15:40:30ZengUniversidad de LeónEstudios Humanísticos. Filología0213-13822444-023X2023-12-014545Retracing the Gothic Romance: Instances of Transtextuality in Gaston Leroux’s Le fantôme de l’opéra and Alejandro Amenábar’s Abre los ojosMarta Miquel Baldellou This article aims to offer a comparative analysis between Gaston Leroux’s novel Le fantôme de l’opéra (1910) and Alejandro Amenábar’s film Abre los ojos (1997) in which Amenábar’s film will be interpreted as a postmodern adaptation of Leroux’s original novel. This analysis will also identify those traits pertaining to the Gothic tradition and the nineteenth-century Gothic romance as reflected in Leroux’s modernist approach and reinterpreted in Amenábar’s postmodern film on the basis of the notion of transtextuality. https://revpubli.unileon.es/index.php/EEHHFilologia/article/view/7706Gothic traditionByronic heromaskthe doublemetaliterature
spellingShingle Marta Miquel Baldellou
Retracing the Gothic Romance: Instances of Transtextuality in Gaston Leroux’s Le fantôme de l’opéra and Alejandro Amenábar’s Abre los ojos
Estudios Humanísticos. Filología
Gothic tradition
Byronic hero
mask
the double
metaliterature
title Retracing the Gothic Romance: Instances of Transtextuality in Gaston Leroux’s Le fantôme de l’opéra and Alejandro Amenábar’s Abre los ojos
title_full Retracing the Gothic Romance: Instances of Transtextuality in Gaston Leroux’s Le fantôme de l’opéra and Alejandro Amenábar’s Abre los ojos
title_fullStr Retracing the Gothic Romance: Instances of Transtextuality in Gaston Leroux’s Le fantôme de l’opéra and Alejandro Amenábar’s Abre los ojos
title_full_unstemmed Retracing the Gothic Romance: Instances of Transtextuality in Gaston Leroux’s Le fantôme de l’opéra and Alejandro Amenábar’s Abre los ojos
title_short Retracing the Gothic Romance: Instances of Transtextuality in Gaston Leroux’s Le fantôme de l’opéra and Alejandro Amenábar’s Abre los ojos
title_sort retracing the gothic romance instances of transtextuality in gaston leroux s le fantome de l opera and alejandro amenabar s abre los ojos
topic Gothic tradition
Byronic hero
mask
the double
metaliterature
url https://revpubli.unileon.es/index.php/EEHHFilologia/article/view/7706
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