Etoffes de pierre. Techniques d’imitation du textile dans les peintures médiévales du Sud-Ouest de la France

Gold, silver and tin play a key role in the iconographic representation of medieval murals or the material reality of objects (wealth of fabrics, armor, etc.). The applied brocade technique, for example, is used to mimic the richness of the tissues of the important characters. Today, these decors ha...

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Main Authors: Aurélie Mounier, Floréal Daniel
Format: Article
Language:English
Published: Association CeROArt 2021-03-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:http://journals.openedition.org/ceroart/7381
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author Aurélie Mounier
Floréal Daniel
author_facet Aurélie Mounier
Floréal Daniel
author_sort Aurélie Mounier
collection DOAJ
description Gold, silver and tin play a key role in the iconographic representation of medieval murals or the material reality of objects (wealth of fabrics, armor, etc.). The applied brocade technique, for example, is used to mimic the richness of the tissues of the important characters. Today, these decors have often disappeared and set beneath the adhesive layer. The fluorescence of these binders under ultraviolet light was used to detect the traces of these lesions on about fifteen sites in the south-west of France. The results of analysis highlight the variety and evolution of gilding techniques (in the broad sense) between the eleventh century and the sixteenth century. The choice of type of gilding is oriented by symbolic, economic, technical considerations, the desire to prioritize scenes or for the sake of realism.
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spelling doaj.art-94a9bec386ac43bca44a139d463cd3b92022-12-21T23:06:23ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922021-03-0110.4000/ceroart.7381Etoffes de pierre. Techniques d’imitation du textile dans les peintures médiévales du Sud-Ouest de la FranceAurélie MounierFloréal DanielGold, silver and tin play a key role in the iconographic representation of medieval murals or the material reality of objects (wealth of fabrics, armor, etc.). The applied brocade technique, for example, is used to mimic the richness of the tissues of the important characters. Today, these decors have often disappeared and set beneath the adhesive layer. The fluorescence of these binders under ultraviolet light was used to detect the traces of these lesions on about fifteen sites in the south-west of France. The results of analysis highlight the variety and evolution of gilding techniques (in the broad sense) between the eleventh century and the sixteenth century. The choice of type of gilding is oriented by symbolic, economic, technical considerations, the desire to prioritize scenes or for the sake of realism.http://journals.openedition.org/ceroart/7381gildinggoldsilvertinapplied brocadezwischgold
spellingShingle Aurélie Mounier
Floréal Daniel
Etoffes de pierre. Techniques d’imitation du textile dans les peintures médiévales du Sud-Ouest de la France
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
gilding
gold
silver
tin
applied brocade
zwischgold
title Etoffes de pierre. Techniques d’imitation du textile dans les peintures médiévales du Sud-Ouest de la France
title_full Etoffes de pierre. Techniques d’imitation du textile dans les peintures médiévales du Sud-Ouest de la France
title_fullStr Etoffes de pierre. Techniques d’imitation du textile dans les peintures médiévales du Sud-Ouest de la France
title_full_unstemmed Etoffes de pierre. Techniques d’imitation du textile dans les peintures médiévales du Sud-Ouest de la France
title_short Etoffes de pierre. Techniques d’imitation du textile dans les peintures médiévales du Sud-Ouest de la France
title_sort etoffes de pierre techniques d imitation du textile dans les peintures medievales du sud ouest de la france
topic gilding
gold
silver
tin
applied brocade
zwischgold
url http://journals.openedition.org/ceroart/7381
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