Performing Shakespeare in Contemporary Japan: The Yamanote Jijosha’s The Tempest
In considering the Yamanote Jijosha’s The Tempest, this paper explores the significance of performing Shakespeare in contemporary Japan. The company’s The Tempest reveals to contemporary Japanese audiences the ambiguity of Shakespeare’s text by experimenting with the postdramatic and a new acting st...
Main Author: | Emi Hamana |
---|---|
Format: | Article |
Language: | English |
Published: |
Lodz University Press
2016-12-01
|
Series: | Multicultural Shakespeare |
Subjects: | |
Online Access: | https://czasopisma.uni.lodz.pl/szekspir/article/view/1945 |
Similar Items
-
Magic, Conversion, and Prayer in Shakespeare’s The Tempest
by: Sanja Matković
Published: (2022-01-01) -
The Delusion of Enchantment in Miguel Cervantes’s Don Quixote and William Shakespeare’s Midsummer Night’s Dream
by: Kodó Krisztina
Published: (2017-12-01) -
The Ionospheric Precursor to the 2011 March 11 Earthquake Based upon Observations Obtained from the Japan-Pacific Subionospheric VLF/LF Network
by: Masashi Hayakawa, et al.
Published: (2013-01-01) -
Un musée des désastres à Fukushima
by: Yoshio Kikuchi, et al.
Published: (2015-09-01) -
Public health response to the combined Great East Japan Earthquake, tsunami and nuclear power plant accident: perspective from the Ministry of Health, Labour and Welfare of Japan
by: Tomoya Saito, et al.
Published: (2011-12-01)