Rock Gods of the Anthropocene: The Biographical Films of Elvis Presley and Jim Morrison

Reflecting on the biographical films of Elvis Presley and Jim Morrison in relation to recent eco-critical theory and notions of the Anthropocene, we consider the representation of the rock star in the biopic genre and the ways in which music and other filmic elements may communicate ecological mater...

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Main Authors: Bridget Alexandra Sutherland, Paul Judge
Format: Article
Language:English
Published: International Association for the Study of Popular Music 2017-06-01
Series:IASPM Journal
Subjects:
Online Access:https://iaspmjournal.net/index.php/IASPM_Journal/article/download/842/pdf_1
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author Bridget Alexandra Sutherland
Paul Judge
author_facet Bridget Alexandra Sutherland
Paul Judge
author_sort Bridget Alexandra Sutherland
collection DOAJ
description Reflecting on the biographical films of Elvis Presley and Jim Morrison in relation to recent eco-critical theory and notions of the Anthropocene, we consider the representation of the rock star in the biopic genre and the ways in which music and other filmic elements may communicate ecological material. We consider the links between ecology and rock music, focusing on both the representation of nature in the films and the symbolism of the body as primal, as animal, and as “creaturely poetic” (Pick, 2011: 5). In a comparison between the biopics Elvis (1979, 2010) by John Carpenter and The Doors (1991, 2009) by Oliver Stone, we examine common motifs and the ways in which these differing cultural texts foreground or repress ecological readings of the music and of the cinematic narrative.
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spelling doaj.art-94c424af51c746aa951c8942e059e9cc2022-12-22T02:54:08ZengInternational Association for the Study of Popular MusicIASPM Journal2079-38712017-06-0171718710.5429/2079-3871(2017)v7i1.6enRock Gods of the Anthropocene: The Biographical Films of Elvis Presley and Jim MorrisonBridget Alexandra Sutherland0Paul Judge1Eastern Institute of Technology NapierIndependent ScholarReflecting on the biographical films of Elvis Presley and Jim Morrison in relation to recent eco-critical theory and notions of the Anthropocene, we consider the representation of the rock star in the biopic genre and the ways in which music and other filmic elements may communicate ecological material. We consider the links between ecology and rock music, focusing on both the representation of nature in the films and the symbolism of the body as primal, as animal, and as “creaturely poetic” (Pick, 2011: 5). In a comparison between the biopics Elvis (1979, 2010) by John Carpenter and The Doors (1991, 2009) by Oliver Stone, we examine common motifs and the ways in which these differing cultural texts foreground or repress ecological readings of the music and of the cinematic narrative.https://iaspmjournal.net/index.php/IASPM_Journal/article/download/842/pdf_1eco-criticismeco-musicologyeco-cinemaelvisthe doorseco-semioticsdeep ecologypsychoanalysis
spellingShingle Bridget Alexandra Sutherland
Paul Judge
Rock Gods of the Anthropocene: The Biographical Films of Elvis Presley and Jim Morrison
IASPM Journal
eco-criticism
eco-musicology
eco-cinema
elvis
the doors
eco-semiotics
deep ecology
psychoanalysis
title Rock Gods of the Anthropocene: The Biographical Films of Elvis Presley and Jim Morrison
title_full Rock Gods of the Anthropocene: The Biographical Films of Elvis Presley and Jim Morrison
title_fullStr Rock Gods of the Anthropocene: The Biographical Films of Elvis Presley and Jim Morrison
title_full_unstemmed Rock Gods of the Anthropocene: The Biographical Films of Elvis Presley and Jim Morrison
title_short Rock Gods of the Anthropocene: The Biographical Films of Elvis Presley and Jim Morrison
title_sort rock gods of the anthropocene the biographical films of elvis presley and jim morrison
topic eco-criticism
eco-musicology
eco-cinema
elvis
the doors
eco-semiotics
deep ecology
psychoanalysis
url https://iaspmjournal.net/index.php/IASPM_Journal/article/download/842/pdf_1
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