Aqui tem coisa: Georges Perec e a Arte Contemporânea
The text explores the relation between the work of the French writer Georges Perec (1936 – 1982) and the Contemporary Art by the means of his book <em>Les Choses – une histoire des années soixante</em> and the work <em>Gathering</em> of Daniel Firman (1966), recently showed i...
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| Format: | Article |
| Language: | Spanish |
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Universidade de São Paulo
2009-10-01
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| Series: | Revista Criação & Crítica |
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| Online Access: | http://www.revistas.usp.br/criacaoecritica/article/view/46776 |
| _version_ | 1818956792122572800 |
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| author | Manlio Speranzini |
| author_facet | Manlio Speranzini |
| author_sort | Manlio Speranzini |
| collection | DOAJ |
| description | The text explores the relation between the work of the French writer Georges Perec (1936 – 1982) and the Contemporary Art by the means of his book <em>Les Choses – une histoire des années soixante</em> and the work <em>Gathering</em> of Daniel Firman (1966), recently showed in the exhibition <em>“regarde de tous tes yeux, regarde”, l’art contemporain de Georges Perec</em>. The aim here is to understand the territory of mutual atractions of these works by means of a certain ‘photographic value’ that is able ‘to make visible something that doesn’t necessarily belongs to the order of the visible’; by the focus on the unimportant in the relation with everyday life; and a type of expressive construction that would explore the emptiness and the senseless in the relations of the individual with the things of the world.<br /> |
| first_indexed | 2024-12-20T10:59:35Z |
| format | Article |
| id | doaj.art-950619a5589f4281be4e67eb3adb3ce1 |
| institution | Directory Open Access Journal |
| issn | 1984-1124 |
| language | Spanish |
| last_indexed | 2024-12-20T10:59:35Z |
| publishDate | 2009-10-01 |
| publisher | Universidade de São Paulo |
| record_format | Article |
| series | Revista Criação & Crítica |
| spelling | doaj.art-950619a5589f4281be4e67eb3adb3ce12022-12-21T19:43:04ZspaUniversidade de São PauloRevista Criação & Crítica1984-11242009-10-010314415910.11606/issn.1984-1124.v0i3p144-15946513Aqui tem coisa: Georges Perec e a Arte ContemporâneaManlio Speranzini0Universidade de São Paulo; Faculdade de Filosofia, Letras e Ciências Humanas; Departamento de Letras ModernasThe text explores the relation between the work of the French writer Georges Perec (1936 – 1982) and the Contemporary Art by the means of his book <em>Les Choses – une histoire des années soixante</em> and the work <em>Gathering</em> of Daniel Firman (1966), recently showed in the exhibition <em>“regarde de tous tes yeux, regarde”, l’art contemporain de Georges Perec</em>. The aim here is to understand the territory of mutual atractions of these works by means of a certain ‘photographic value’ that is able ‘to make visible something that doesn’t necessarily belongs to the order of the visible’; by the focus on the unimportant in the relation with everyday life; and a type of expressive construction that would explore the emptiness and the senseless in the relations of the individual with the things of the world.<br />http://www.revistas.usp.br/criacaoecritica/article/view/46776Perec, coisas, arte contemporânea, Firman, Les choses. |
| spellingShingle | Manlio Speranzini Aqui tem coisa: Georges Perec e a Arte Contemporânea Revista Criação & Crítica Perec, coisas, arte contemporânea, Firman, Les choses. |
| title | Aqui tem coisa: Georges Perec e a Arte Contemporânea |
| title_full | Aqui tem coisa: Georges Perec e a Arte Contemporânea |
| title_fullStr | Aqui tem coisa: Georges Perec e a Arte Contemporânea |
| title_full_unstemmed | Aqui tem coisa: Georges Perec e a Arte Contemporânea |
| title_short | Aqui tem coisa: Georges Perec e a Arte Contemporânea |
| title_sort | aqui tem coisa georges perec e a arte contemporanea |
| topic | Perec, coisas, arte contemporânea, Firman, Les choses. |
| url | http://www.revistas.usp.br/criacaoecritica/article/view/46776 |
| work_keys_str_mv | AT manliosperanzini aquitemcoisageorgespereceaartecontemporanea |